Victor Artists
Hermann Bachmann (baritone vocal)
On this Date...
May 25th, 1900
Night trip to Buffalo (Matrix [Pre-matrix A-]43[a], take 1) was recorded by American Quartet in Camden, New Jersey [unconfirmed]
Gus Edwards (composer)
Matrixes marked with 
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix A-]222 | 9/25/1900 | I can't tell why I love you, but I do | Albert Campbell |
Male vocal solo |
|
| [Pre-matrix A-]496 | 11/9/1900 | I can't tell why I love you, but I do | Herbert L. Clarke |
Cornet solo, with piano |
|
| [Pre-matrix A-]533 | 11/21/1900 | I can't tell why I love you, but I do | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]533 | 1902-1903 | I can't tell why I love you, but I do | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]648 | 2/2/1901 | My charcoal charmer | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix B-]648 | 2/2/1901 | My charcoal charmer | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix A-]679 | 2/16/1901 | All for a man whose god was gold | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix B-]679 | 4/29/1903 | All for a man whose god was gold | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix A-]681 | 2/16/1901 | Where the Mississippi flows | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix B-]681 | 2/16/1901 | Where the Mississippi flows | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix A-]727 | 4/2/1901 | I can't tell why I love you, but I do | Arthur Pryor ; Sousa's Band |
Trombone solo, with band |
|
| [Pre-matrix B-]727 | 1/6/1902 | I can't tell why I love you, but I do | Arthur Pryor ; Sousa's Band |
Trombone solo, with band |
|
| [Pre-matrix A-]790 | 5/13/1901 | I couldn't stand to see my baby lose | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix B-]790 | 5/13/1901 | I couldn't stand to see my baby lose | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix A-]828 | 5/21/1901 | Mamie | J. W. Myers |
Male vocal solo, with piano |
|
| [Pre-matrix A-]1093 | 11/13/1901 | My charcoal charmer | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix B-]1093 | 11/13/1901 | My charcoal charmer | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix A-]1097 | 11/20/1901 | I'll be with you when the roses bloom again | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]1097 | 11/20/1901 | I'll be with you when the roses bloom again | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]1108 | 11/27/1901 | My lonesome little Louisiana lady | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix A-]1108 | 11/27/1901 | My lonesome little Louisiana lady | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix A-]1116 | 11/27/1901 | I'll be with you when the roses bloom again | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1116 | 11/27/1901 | I'll be with you when the roses bloom again | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix A-]1134 | 12/7/1902 | Casey's wedding night | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix B-]1134 | 12/7/1901 | Casey's wedding night | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix A-]1136 | 12/10/1901 | Way down yonder in the cornfield | J. W. Myers |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1136 | 12/10/1901 | Way down yonder in the cornfield | J. W. Myers |
Male vocal solo, with piano |
|
| [Pre-matrix C-]1136 | 7/8/1902 | Way down yonder in the cornfield | J. W. Myers |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1307 | 3/8/1902 | Sally's Sunday hat | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1307 | 3/8/1902 | Sally's Sunday hat | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]1322 | 3/13/1902 | I never troubles trouble till trouble troubles me | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix A-]1322 | 3/13/1902 | I never troubles trouble 'till trouble troubles me | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]1456 | 7/1/1902 | I'm the man that makes the money in the mint | Silas Leachman |
Male vocal solo, with piano |
|
| [Pre-matrix A-]1456 | 7/1/1902 | I'm the man that makes the money in the mint | Silas Leachman |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1470 | 7/11/1902 | If Aladdin would lend me his lamp | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix C-]1470 | 7/11/1902 | If Aladdin would lend me his lamp | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix A-]1470 | 7/11/1902 | If Aladdin would lend me his lamp | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]1658 | 10/2/1902 | Could you be true to eyes of blue? | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1658 | 10/2/1902 | Could you be true to eyes of blue? | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1719 | 10/31/1902 | I never trouble trouble till trouble troubles me | Collins and Harlan |
Male vocal duet |
|
| [Pre-matrix B-]1719 | 10/31/1902 | I never trouble trouble till trouble troubles me | Collins and Harlan |
Male vocal duet |
|
| [Pre-matrix B-]1721 | 10/31/1902 | Oh such a business! | Collins and Harlan |
Male vocal duet |
|
| [Pre-matrix A-]1721 | 10/31/1902 | Oh such a business! | Collins and Harlan |
Male vocal duet |
|
| [Pre-matrix A-]1951 | 2/9/1903 | Way down yonder in the cornfield | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix B-]1951 | 2/9/1903 | Way down yonder in the cornfield | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix B-]2089 | 3/16/1903 | The songbird of Melody Lane | W. H. Thompson |
Male vocal solo |
|
| [Pre-matrix A-]2089 | 3/16/1903 | The songbird of Melody Lane | W. H. Thompson |
Male vocal solo |
|
| [Pre-matrix B-]2126 | 3/30/1903 | Mamie | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix B-]2155 | 4/3/1903 | Please Mamma buy me a baby | Byron G. Harlan |
Male vocal solo |
|
| [Pre-matrix B-]3074 | 2/2/1901 | My charcoal charmer | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix B-]3110 | 2/16/1901 | All for a man whose god was gold | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix B-]3112 | 2/16/1901 | Where the Mississippi flows | Joseph Natus |
Male vocal solo, with piano |
|
| [Pre-matrix B-]3346 | 5/13/1901 | I couldn't stand to see my baby lose | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix B-]3390 | 5/21/1901 | Mamie | J. W. Myers |
Male vocal solo, with piano |
|
| [Pre-matrix B-]3416 | 5/31/1901 | I can't tell why I love you, but I do | Arthur Pryor |
Trombone solo, with piano |
|
| [Pre-matrix B-]3551 | 9/10/1901 | I can't tell why I love you, but I do | Harry Macdonough |
Male vocal solo |
|
| A-176 | 6/30/1903 | Please, Mama, buy me a baby | James Doyle |
Male vocal solo |
|
| B-176 | 6/30/1903 | Please, Mama, buy me a baby | James Doyle |
Male vocal solo |
|
| C-200 [Old series] | 2/9/1903 or 5/26/1903 | The songbird of Melody Lane | Harry Macdonough |
Male vocal solo |
|
| B-286 | 8/25/1903 | Please, Mama, buy me a baby | Byron G. Harlan |
Male vocal solo, with piano |
|
| A-291 | 8/27/1903 | I can't tell why I love you, but I do | Harry Macdonough |
Male vocal solo, with piano |
|
| B-291 | 8/27/1903 | I can't tell why I love you, but I do | Harry Macdonough |
Male vocal solo, with piano |
|
| B-419 | 9/16/1903 | I'll be with you when the roses bloom again | Harry Macdonough |
Male vocal solo, with piano |
|
| A-419 | 1/27/1904 | I'll be with you when the roses bloom again | Harry Macdonough |
Male vocal solo, with piano |
|
| A-555 | 10/14/1903 | I love only one girl in this wide, wide world | Harry Macdonough |
Male vocal solo, with piano |
|
| B-555 | 10/14/1903 | I love only one girl in this wide, wide world | Harry Macdonough |
Male vocal solo, with piano |
|
| B-637 | 11/6/1903 | Could you be true to eyes of blue? | Harry Macdonough |
Male vocal solo, with piano |
|
| A-638 | 11/6/1903 | When the roses bloom again | Harry Macdonough |
Male vocal solo, with piano |
|
| B-638 | 11/6/1903 | I'll be with you when the roses bloom again | Harry Macdonough |
Male vocal solo, with piano |
|
| A-751 | 11/30/1903 | The songbird of Melody Lane | W. H. Thompson |
Male vocal solo |
|
| B-751 | 11/30/1903 | The songbird of Melody Lane | W. H. Thompson |
Male vocal solo |
|
| A-950 | 1/19/1904 | All for a man whose god was gold | Joseph Natus |
Male vocal solo, with piano |
|
| A-1058 | 3/1/1904 | In Zanzibar | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-1058 | 3/1/1904 | In Zanzibar | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-1485 | 6/16/1904 | Goodbye little girl, goodbye | Mina Hickman |
Female vocal solo, with orchestra |
|
| B-2111 | 1/5/1905 | Mum's the word | Dan W. Quinn |
Male vocal solo, with orchestra |
|
| B-2121 | 1/9/1905 | Good bye, little girl, good bye | Old Homestead Double Quartet |
Male vocal quartet or octet |
|
| B-2137 | 1/12/1905 | I can't tell why I love you, but I do | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-2171 | 1/20/1905 | He's me pal | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-2351 | 2/28/1905 | Tammany | Frank Kernell [i.e., Samuel H. Dudley] |
Male vocal solo |
|
| B-2466 | 4/12/1905 | Tammany two-step | Victor Dance Orchestra |
Orchestra |
|
| C-2466 | 4/19/1905 | Tammany two-step | Victor Dance Orchestra |
Orchestra |
|
| B-2514 | 5/3/1905 | Pals | Ada Jones ; Len Spencer |
Female-male vocal duet, with orchestra |
|
| E-2514 | 12/6/1906 | Pals | Ada Jones ; Len Spencer |
Female-male vocal duet, with orchestra |
|
| B-2516 | 5/3/1905 | He's me pal | Ada Jones |
Female vocal solo, with orchestra |
|
| B-2540 | 5/9/1905 | Tammany | Collins and Harlan |
Male vocal duet, with orchestra |
|
| C-2557 | 5/17/1905 | Tammany | Arthur Pryor's Orchestra |
Orchestra, with trombone solo |
|
| B-2557 | 5/17/1905 | Tammany | Arthur Pryor's Orchestra |
Orchestra, with trombone solo |
|
| B-2706 | 8/8/1905 | In my merry Oldsmobile | Billy Murray |
Male vocal solo, with orchestra |
|
| B-2711 | 8/9/1905 | In my merry Oldsmobile | Arthur Pryor's Band |
Band |
|
| B-2712 | 8/9/1905 | Dear old South | Arthur Pryor's Band |
Band |
|
| B-2805 | 10/13/1905 | He's me pal | Arthur Pryor's Band |
Band |
|
| A-2805 | 10/13/1905 | He's me pal | Arthur Pryor's Band |
Band |
|
| A-2819 | 10/18/1905 | Tammany | Arthur Pryor's Band |
Band |
|
| B-2915 | 11/29/1905 | If a girl like you loved a boy like me | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-3133 | 2/21/1906 | Once upon a time | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-3183 | 3/16/1906 | Pocahontas | Edward M. Favor |
Male vocal solo, with orchestra |
|
| B-3470 | 6/14/1906 | Come take a skate with me | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-3789 | 9/12/1906 | I'll do anything in the world for you | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-3850 | 10/4/1906 | You can't give your heart to somebody else, and still hold hands with me | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| E-3850 | 10/4/1906 | You can't give your heart to somebody else, and still hold hands with me | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-3917 | 10/23/1906 | Mr. Monkey | Billy Murray |
Male vocal solo, with orchestra |
|
| B-4092 | 12/10/1906 | The game of peek-a-boo | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-4094 | 12/10/1906 | Don't you think it's time to marry? | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| E-4094 | 12/10/1906 | Don't you think it's time to marry? | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-4264 | 2/26/1907 | That welcome on the mat ain't meant for me | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-4270 | 2/26/1907 | School days | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-5092 | 2/21/1908 | The peach that tastes the sweetest hangs highest on the tree | Ed Morton |
Male vocal solo, with orchestra |
|
| E-5092 | 2/21/1908 | The peach that tastes the sweetest hangs highest on the tree | Ed Morton |
Male vocal solo, with orchestra |
|
| B-6230 | 5/26/1908 | Goodbye, little girl, goodbye | Peerless Quartet |
Male vocal quartet, unaccompanied |
|
| B-6253 | 6/8/1908 | Everybody loves me but the one I love | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-6344 | 8/12/1908 | Sunbonnet Sue | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-6345 | 8/12/1908 | Sunbonnet Sue | Haydn Quartet |
Male vocal quartet and male vocal solo, with orchestra |
|
| B-6999 | 4/23/1909 | My cousin Caruso | Ed Morton |
Male vocal solo, with orchestra |
|
| B-7059 | 5/10/1909 | School mates | Haydn Quartet |
Male vocal quartet, with orchestra |
|
| B-7073 | 5/13/1909 | My cousin Caruso | Billy Murray |
Male vocal solo, with orchestra |
|
| B-8020 | 6/4/1909 | Come take a swim in my ocean | Haydn Quartet ; Billy Murray |
Male vocal solo and male vocal quartet, with orchestra |
|
| B-8021 | 6/4/1909 | Up in my aeroplane | Haydn Quartet |
Male vocal quartet, with orchestra |
|
| B-8093 | 7/6/1909 | Please don't tell my wife | Ed Morton |
Male vocal solo, with orchestra |
|
| B-8501 | 12/22/1909 | By the light of the silv'ry moon | Haydn Quartet ; Billy Murray |
Male vocal solo and male vocal quartet, with orchestra |
|
| B-9409 | 9/6/1910 | Lucy-Anna-Lou | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-10149 | 4/5/1911 | My Yiddisha colleen | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-10156 | 4/6/1911 | Two dirty little hands | Lilian Homesley |
Female vocal solo, with orchestra |
|
| B-10846 | 7/31/1911 | Jimmy Valentine | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-11855 | 4/11/1912 | Since my Margaret become a suffragette | Maurice Burkhart |
Male vocal solo, with orchestra |
|
| B-12180 | 7/11/1912 | On a beautiful night with a beautiful girl | Heidelberg Quintette |
Male vocal quintet, unaccompanied |
|
| B-12303 | 8/8/1912 | The merry-go-round | Felix Arndt |
Piano solo |
|
| C-12860 | 1/30/1913 | New Orleans Minstrels, no. 27 | Victor Minstrel Company |
Minstrels, with orchestra |
|
| B-13077 | 4/3/1913 | I'll get you | Helen Clark ; Walter Van Brunt |
Female-male vocal duet, with orchestra |
|
| C-16218 | 7/21/1915 | Songs of the past, no. 6 | Victor Mixed Chorus |
Vocal chorus and soloists, with orchestra |
|
| B-18133 | 7/19/1916 | I lost my heart in Honolulu | Charles Harrison ; Herbert Stuart |
Male vocal duet, with violin, cello, and orchestra |
|
| B-18165 | 7/31/1916 | On a summer night | Avon Comedy Four |
Male vocal quartet, with orchestra |
|
| B-18896 | 1/2/1917 | I never wanted anything so good so bad | Marie Cahill |
Female vocal solo, with piano |
|
| B-19628 | 4/25/1917 | For you a rose | Edna Brown [i.e., Elsie Baker] |
Female vocal solo, with orchestra |
|
| C-20159 | 6/25/1917 | For you a rose | Joseph C. Smith's Orchestra |
Jazz/dance band |
|
| B-20336 | 7/13/1917 | Laddie boy | Nora Bayes |
Female vocal solo, with orchestra |
|
| B-21435 | 1/30/1918 | That grand old gentleman (Uncle Sam) | Percy Hemus |
Male vocal solo, with orchestra |
|
| B-21699 | 5/2/1918 | For you a rose | Emilio de Gogorza |
Baritone vocal solo, with violin, bells, and orchestra |
|
| B-25593 | 10/10/1921 | I want you morning, noon and night | Charles Harrison |
Male vocal solo, with oboe, bassoon, trombone, and orchestra |
|
| B-26335 | 5/2/1922 | Love sends a little gift of roses | Hackel-Bergè Orchestra |
Jazz/dance band |
|
| B-27062 | 11/2/1922 | When eyes met eyes, when lips met lips (when two hearts beat as one) | Lambert Murphy |
Male vocal solo, with orchestra |
|
| B-30054 | 5/7/1924 | Old familiar faces | Shannon Quartet |
Male vocal quartet, with orchestra |
|
| BVE-38264 | 5/16/1927 | In my merry Oldsmobile | Jean Goldkette Orchestra |
Jazz/dance band |
|
| BVE-38268 | 5/23/1927 | In my merry Oldsmobile | Jean Goldkette Orchestra |
Jazz/dance band, with male vocal chorus |
|
| BVE-38494 | 4/27/1927 | I'll be with you when the roses bloom again | Vernon Dalhart |
Male vocal solo, with violin and guitar |
|
| CVE-49096 | 1/28/1929 | Minstrel show of 1929 | Victor Minstrels |
Minstrels, with orchestra |
|
| BVE-49215 | 11/30/1928 | Jimmy Valentine | Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo and chorus |
|
| BVE-51975 | 5/6/1929 | Your mother and mine | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal solo |
|
| BVE-51976 | 5/6/1929 | Orange blossom time | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal solo |
|
| BVE-51995 | 5/13/1929 | Nobody but you | Don Howard ; Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo |
|
| BVE-53429 | 5/22/1929 | Your mother and mine | Johnny Marvin |
Male vocal solo, with orchestra |
|
| BVE-53441 | 5/27/1929 | Your mother and mine | Frank Munn ; Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo |
|
| BVE-53917 | 7/12/1929 | Orange blossom time | Johnny Marvin ; Andy Sannella |
Male vocal solo, with saxophone solo and orchestra |
|
| BVE-53961 | 7/29/1929 | I've waited a lifetime for you | Arden-Ohman Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-56624 | 11/29/1929 | I want my black baby back | Carolina Twins |
Male vocal duet with guitars and harmonica (self-accompaniment) |
|
| [Trial 1916-10-02-01] | 10/2/1916 | The sweetest melody of all | Stewart Jackson |
Male vocal solo, with piano |