Paul Cunningham (lyricist)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| B-13851 | 9/24/1913 | My lovin' melody man | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-15095 | 7/29/1914 | What a wonderful love that would be | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-18704 | 11/13/1916 | If it wasn't for you | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-22439 | 11/29/1918 | Have a smile for everyone you meet, and they will have a smile for you | Sterling Trio |
Male vocal trio, with violin obbligato and orchestra |
|
| B-22880 | 5/28/1919 | The gates of gladness (on the road to Sunshine Land) | Lewis James ; Shannon Four |
Male vocal quartet and soloist, with orchestra |
|
| B-23016 | 6/18/1919 | If you don't stop making eyes at me | Arthur Fields |
Male vocal solo, with orchestra |
|
| B-24378 | 8/12/1920 | Tripoli | William Robyn ; Terrell, Louise [i.e., Elizabeth Lennox] |
Female-male vocal duet, with orchestra |
|
| B-25733 | 10/27/1921 | That's how I believe in you | Henry Burr |
Male vocal solo, with orchestra |
|
| B-26818 | 8/7/1922 | All over nothing at all | Billy Murray ; Aileen Stanley |
Female-male vocal duet, with orchestra |
|
| B-28682 | 10/23/1923 | You can't make a fool out of me | Henry Burr |
Male vocal solo, with cello and orchestra |
|
| BVE-35458 | 5/13/1926 | Let the end of the world come to-morrow (as long as you love me to-day) | Helen Clark ; Lewis James |
Female-male vocal duet, with orchestra |
