Victor Artists
Henry Marchetti (zither)
On this Date...
May 24th, 1911
I know of two bright eyes (Matrix B-10493, take 2) was recorded by Ethel S. Elliot in Camden, New Jersey
William Tracey (lyricist)
Matrixes marked with 
indicate recordings are available for online listening.
Also known as: Tracy, William
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| B-9709 | 12/14/1910 | Gee, but it's great to meet a friend from your home town | Billy Murray |
Male vocal solo, with chorus and orchestra |
|
| B-12374 | 9/17/1912 | I'll be welcome in my home town | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-12509 | 10/11/1912 | The funny bunny hug | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-13640 | 7/25/1913 | I want a man like dad (A sweetheart just like mother had) | Ada Jones |
Female vocal solo, with orchestra |
|
| B-13961 | 10/15/1913 | When they christened brother Johnson's child | American Quartet |
Male vocal quartet |
|
| B-14998 | 6/24/1914 | Everything reminds me of that old sweetheart of mine | Henry Burr ; Albert Campbell ; Will Oakland |
Male vocal trio, with orchestra |
|
| B-15042 | 7/6/1914 | In the town where I was born | Billy Murray ; Will Oakland |
Male vocal duet, with orchestra |
|
| B-15145 | 8/25/1914 | You're always welcome at our house | Arthur Fields |
Male vocal solo, with orchestra |
|
| B-15215 | 9/24/1914 | You're always welcome at our house | George Wilton Ballard |
Male vocal solo, with orchestra |
|
| B-16934 | 12/24/1915 | Give a little credit to your Dad | Thomas A. Weir |
Male vocal solo, with orchestra |
|
| B-17042 | 1/20/1916 | Give a little credit to your Dad | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-17046 | 1/21/1916 | Lazy Mary, will you get up | Billy Murray |
Male vocal solo, with orchestra |
|
| B-17426 | 4/3/1916 | Oh, Joe, with your fiddle and bow, you stole my heart away | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-17598 | 5/3/1916 | In the beautiful seaside air | Billy Murray |
Male vocal solo, with male vocal chorus and orchestra |
|
| B-18830 | 12/11/1916 | Naughty! Naughty! Naughty! | Marguerite Farrell |
Female vocal solo, with orchestra |
|
| B-22496 | 1/2/1919 | He's had no lovin' for a long, long time | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-22801 | 4/23/1919 | Mammy o' mine | Adele Rowland |
Female vocal solo, with orchestra |
|
| B-23066 | 7/14/1919 | Dixie is Dixie once more | American Quartet |
Male vocal quartet, with orchestra |
|
| B-23434 | 10/28/1919 | Wonderful pal | Sterling Trio |
Male vocal trio, with violin duet and orchestra |
|
| B-24157 | 6/9/1920 | My Dixie rosary | Sterling Trio |
Male vocal trio, with orchestra |
|
| B-24195 | 7/2/1920 | Lonesome alimony blues | Margaret Young |
Female vocal solo, with bassoon and orchestra |
|
| B-25314 | 5/23/1921 | Honey rose | Sterling Trio |
Male vocal trio, with oboe, bassoon, and orchestra |
|
| B-26491 | 5/25/1922 | I certainly must be in love | Billy Murray |
Male vocal solo, with orchestra |
|
| BVE-35164 | 5/26/1926 | Down by the gas house (the werry woist part of the town) | Billy Murray ; Aileen Stanley |
Female-male vocal duet, with 2 pianos |
|
| BVE-35721 | 6/25/1926 | What! No spinach? | Irving Aaronson ; Commanders |
Jazz/dance band, with male vocal chorus |
|
| BVE-36646 | 10/30/1926 | Out in the new mown hay | Mitchell Brothers |
Male vocal duet, with 2 banjos (self-accompaniment) |
|
| BVE-39292 | 6/24/1927 | Who are you fooling to-night? | Vaughn De Leath |
Female vocal solo, with instrumental quartet |
|
| BVE-40943 | 11/23/1927 | I'm walkin' on air | Frankie Masters Orchestra |
Jazz/dance band, with male vocal solo |
|
| [Trial 1914-05-01-07] | 5/1/1914 | I'd give the whole world to have you back again | George Wilton Ballard |
Male vocal solo, with piano |