Victor Artists
Zez Confrey (leader)
On this Date...
May 18th, 1905
Lullaby from Erminie (Matrix B-1941, take 5) was recorded by Corinne Morgan in Philadelphia, Pennsylvania [unconfirmed]
Joe Goodwin (lyricist)
Matrixes marked with 
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| B-10153 | 4/5/1911 | I'm crazy 'bout the turkey trot | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-10377 | 5/24/1911 | Night time's the right time | "That Girl" Quartet |
Female vocal quartet, with orchestra |
|
| B-10524 | 6/9/1911 | Love's sentence | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-10805 | 7/18/1911 | We all fall | Billy Murray |
Male vocal solo, with orchestra |
|
| B-10836 | 7/27/1911 | Billy | American Quartet |
Male vocal quartet, with orchestra |
|
| B-11051 | 10/3/1911 | A girlie was just made to love | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-11733 | 3/15/1912 | Brass band Ephraham Jones | Al Jolson |
Male vocal solo, with orchestra |
|
| B-12196 | 7/15/1912 | That's how I need you | Henry Burr |
Male vocal solo |
|
| B-12373 | 9/17/1912 | When I get you alone tonight | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-12872 | 2/5/1913 | Melinda's wedding day | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-13013 | 3/25/1913 | Then I'll stop loving you | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-13506 | 7/2/1913 | How late can you stay out to-night? | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-13950 | 10/10/1913 | At the midnight masquerade | Peerless Quartet |
Male vocal quartet, with orchestra
|
|
| B-14916 | 5/29/1914 | When you play the game of love | Edna Brown [i.e., Elsie Baker] ; James F. Harrison [i.e., Frederick Wheeler] |
Female-male vocal duet, with orchestra |
|
| B-15612 | 1/20/1915 | The little house upon the hill | James F. Harrison [i.e., Frederick Wheeler] ; James Reed [i.e., Reed Miller] |
Male vocal duet, with orchestra |
|
| B-16149 | 6/28/1915 | That's the song of songs for me | George Wilton Ballard |
Male vocal solo, with orchestra |
|
| B-16273 | 7/28/1915 | That's the song of songs for me | Harvey W. Hindermeyer |
Male vocal solo, with orchestra |
|
| B-16868 | 12/6/1915 | What a wonderful mother you'd be | Delos Becker |
Male vocal solo, with violin, bells, and orchestra |
|
| B-16933 | 12/24/1915 | What a wonderful mother you'd be | Thomas A. Weir |
Male vocal solo, with cello and orchestra |
|
| B-16981 | 1/6/1916 | What a wonderful mother you'd be | Henry Burr |
Male vocal solo, with orchestra |
|
| B-17580 | 5/2/1916 | Baby shoes | Edna Brown [i.e., Elsie Baker] |
Female vocal solo, with violin and orchestra |
|
| B-18165 | 7/31/1916 | On a summer night | Avon Comedy Four |
Male vocal quartet, with orchestra |
|
| B-18553 | 10/16/1916 | What I owe you | James F. Harrison [i.e., Frederick Wheeler] |
Male vocal solo, with orchestra |
|
| B-18566 | 10/20/1916 | How could Washington be a married man (and never tell a lie) | M. J. O'Connell |
Male vocal solo, with orchestra |
|
| B-18768 | 12/4/1916 | They're wearing them higher in Hawaii | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-18830 | 12/11/1916 | Naughty! Naughty! Naughty! | Marguerite Farrell |
Female vocal solo, with orchestra |
|
| B-19605 | 4/18/1917 | Lookout Mountain | Henry Burr ; Albert Campbell |
Male vocal duet, with orchestra |
|
| B-19757 | 5/8/1917 | Rolling in his little rolling chair | Willie Weston |
Male vocal solo, with orchestra |
|
| B-20884 | 10/19/1917 | That's what Ireland means to me | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-21088 | 11/16/1917 | One day in June (it might have been you) | Henry Burr ; Albert Campbell |
Male vocal duet, with orchestra |
|
| B-21251 | 12/13/1917 | Liberty Bell (It's time to ring again) | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-21463 | 2/21/1918 | A little bit of sunshine | Charles Hart ; Shannon Four |
Male vocal quartet and soloist, with orchestra |
|
| B-21485 | 3/5/1918 | Three wonderful letters from home | Charles Hart |
Male vocal solo, with violin duet and orchestra |
|
| B-21934 | 5/28/1918 | Paul Revere (won't you ride for us again) | Charles Hart ; Shannon Four |
Male vocal quartet and soloist, with orchestra |
|
| B-23067 | 7/14/1919 | Breeze (blow my baby back to me) | American Quartet |
Male vocal quartet, with oboe, bassoon, and orchestra |
|
| B-23145 | 9/10/1919 | I wanna go back (to dear old Mother's knee) | Henry Burr |
Male vocal solo, with violin and orchestra |
|
| B-23571 | 1/12/1920 | All that I want is you | Charles Hart ; Shannon Four |
Male vocal quartet and soloist, with orchestra |
|
| B-23739 | 2/16/1920 | All that I want is you | Charles Hart |
Male vocal solo, with violin and orchestra |
|
| B-24157 | 6/9/1920 | My Dixie rosary | Sterling Trio |
Male vocal trio, with orchestra |
|
| B-24660 | 10/25/1920 | There's a vacant chair at home sweet home (When the world goes back on you) | Charles Harrison |
Male vocal solo, with violin and orchestra |
|
| B-24673 | 11/1/1920 | I'm a lonesome little raindrop (looking for a place to fall) | Victor Roberts [i.e., Billy Jones] |
Male vocal solo, with orchestra |
|
| B-26182 | 3/27/1922 | Gee! But I hate to go home alone | Victor Roberts [i.e., Billy Jones] |
Male vocal solo, with orchestra |
|
| B-32091 | 3/12/1925 | What a life (when no one loves you) | Gene Austin |
Male vocal solo, with viola, guitar, and ukulele |
|
| B-32225 | 3/19/1925 | What a life (when no one loves you) | Gene Austin |
Male vocal solo, with ukulele |
|
| BVE-33337 | 8/21/1925 | I'm knee deep in daisies (and head over heels in love) | George Olsen and his Music |
Jazz/dance band, with male vocal duet |
|
| BVE-33397 | 9/21/1925 | I'm knee deep in daisies (and head over heels in love) | Jack Smith |
Male vocal solo, with piano |
|
| BVE-33532 | 10/1/1925 | What do we care if it's one o'clock (or two, or three, or four) | International Novelty Orchestra |
Orchestra, with male vocal solo |
|
| BVE-34020 | 12/4/1925 | Tie me to your apron strings again | Alma Rotter |
Female vocal solo, with piano |
|
| BVE-34040 | 12/17/1925 | Tie me to your apron strings again | Jack Chapman Orchestra |
Jazz/dance band, with male vocal duet |
|
| BVE-34047 | 12/18/1925 | Tie me to your apron strings again | Brox Sisters |
Female vocal trio, with piano |
|
| BVE-35055 | 3/12/1926 | Nothing else to do but sit around and think about you | Russo and Fiorito's Oriole Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-36237 | 9/14/1926 | I'd love to call you my sweetheart | Ben Pollack's Californians |
Jazz/dance band, with male vocal solo |
|
| BVE-36402 | 9/24/1926 | I'd love to call you my sweetheart | Greta Woodson |
Female vocal solo, with piano |
|
| BVE-36872 | 10/26/1926 | I'd love to call you my sweetheart | Johnny Marvin |
Male vocal solo, with instrumental ensemble |
|
| BVE-37585 | 2/1/1927 | Hoosier sweetheart (say who) | Smith Brothers |
Male vocal duet, with piano |
|
| BVE-38390 | 5/5/1927 | Wherever you go, whatever you do (I want you to know I love you) | Lewis James ; Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo |
|
| BVE-41341 | 12/6/1927 | Everywhere you go | Frankie Masters Orchestra |
Jazz/dance band, with male vocal solo (takes 3 and 4); with male vocal trio (takes 1 and 2) |
|
| BVE-45408 | 5/28/1928 | When you're smiling | Hotel Sinton Orchestra ; Henry Thies |
Jazz/dance band, with male vocal solo |
|
| BVE-46409 | 7/15/1928 | That old sweetheart of mine | Don Bestor Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-48801 | 1/17/1929 | Can you blame me (cause I fell in love with you?) | Jean Goldkette Orchestra |
Jazz/dance band (takes 2-4); with male vocal solo (take 1) |
|
| BVE-51975 | 5/6/1929 | Your mother and mine | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal solo |
|
| BVE-51976 | 5/6/1929 | Orange blossom time | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal solo |
|
| BVE-51995 | 5/13/1929 | Nobody but you | Don Howard ; Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo |
|
| BVE-53429 | 5/22/1929 | Your mother and mine | Johnny Marvin |
Male vocal solo, with orchestra |
|
| BVE-53441 | 5/27/1929 | Your mother and mine | Frank Munn ; Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo |
|
| BVE-53917 | 7/12/1929 | Orange blossom time | Johnny Marvin ; Andy Sannella |
Male vocal solo, with saxophone solo and orchestra |
|
| BVE-53961 | 7/29/1929 | I've waited a lifetime for you | Arden-Ohman Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-57516 | 10/31/1929 | That wonderful something | Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal trio |
|
| BVE-57936 | 12/20/1929 | Love ain't nothin' but the blues | High Hatters |
Jazz/dance band, with male vocal solo |
|
| BVE-57967 | 12/30/1929 | That wonderful something (is love) | Morton Downey |
Male vocal solo, with orchestra |
|
| BVE-58528 | 1/28/1930 | When you're smiling (the whole world smiles with you) | King Oliver's Orchestra |
Jazz/dance band, with male vocal solo |
|
| [Trial 1926-09-09-02] | 9/9/1926 | I'd love to call you my sweetheart | Paula George |
Female vocal solo, with piano |
|
| [Trial 1915-03-17-04] | 3/17/1915 | When you play in the game of love | Will C. Robbins |
Male vocal solo, with piano |