Henry Creamer (lyricist)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| C-8016 | 5/28/1909 | That's the doctor, Bill | Ed Morton |
Male vocal solo, with orchestra |
|
| B-8078 | 6/28/1909 | That's a plenty | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-8726 | 3/21/1910 | Dear old moonlight | Peerless Quartet |
Male vocal quartet, unaccompanied |
|
| B-9512 | 10/5/1910 | Don't make me laugh, Bill | Ed Morton |
Male vocal solo, with orchestra |
|
| B-9556 | 10/12/1910 | Sweetness | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-11904 | 4/23/1912 | Adopted child | Bob Roberts |
Male vocal solo, with orchestra |
|
| B-12324 | 9/3/1912 | I've got the finest man | Ada Jones |
Female vocal solo, with orchestra |
|
| B-19381 | 3/16/1917 | That cute little wigglin' dance | American Quartet ; Marion Harris |
Female vocal solo and male vocal quartet, with orchestra |
|
| B-20067 | 6/20/1917 | Sweet Emalina, my gal | Peerless Quartet |
Male vocal quartet, with xylophone and orchestra |
|
| B-21243 | 12/6/1917 | Everybody's crazy 'bout the doggone blues, but I'm happy | Marion Harris |
Female vocal solo, with orchestra |
|
| B-22159 | 7/15/1918 | Goodbye Alexander, goodbye honey boy | Marion Harris |
Female vocal solo, with orchestra |
|
| B-22160 | 7/15/1918 | After you've gone | Marion Harris |
Female vocal solo, with orchestra |
|
| B-22196 | 8/7/1918 | I'm waiting for you, Liza Jane | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-22490 | 12/30/1918 | I'm waiting for you, 'Liza Jane | Vernon Dalhart |
Male vocal solo, with orchestra |
|
| B-22592 | 2/19/1919 | Oh, Lawdy (something's done got between Ebecaneezer and me) | Marion Harris |
Female vocal solo, with xylophone and orchestra |
|
| B-22626 | 3/13/1919 | When shadows softly come and go | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-22659 | 3/27/1919 | When the shadows softly come and go | Lillian Rosedale Goodman ; Vivian Holt |
Female vocal duet, with orchestra |
|
| B-24810 | 12/30/1920 | Sweet mamma (papa's getting mad) | Original Dixieland Jazz Band |
Jazz/dance band, with male vocal chorus |
|
| B-25517 | 8/16/1921 | I'm nobody's gal | Aileen Stanley |
Female vocal solo, with orchestra |
|
| B-25528 | 8/22/1921 | Strut Miss Lizzie | American Quartet |
Male vocal quartet, with orchestra |
|
| B-25791 | 12/5/1921 | Dear old Southland | Elliott Shaw |
Male vocal solo, with mandolin and orchestra |
|
| B-26827 | 8/11/1922 | 'Way down yonder in New Orleans | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-28512 | 8/27/1923 | Jubilee blues | Belle Baker |
Female vocal solo, with orchestra |
|
| B-28974 | 11/20/1923 | Why should I weep about one sweetie | Brooke Johns Orchestra ; Brooke Johns |
Jazz/dance band, with male vocal solo |
|
| B-29388 | 2/7/1924 | Josephine (who is the meanest gal in town) | Brooke Johns Orchestra ; Brooke Johns |
Jazz/dance band, with male vocal solo |
|
| B-30161 | 6/4/1924 | Africa | Jack Shilkret Orchestra [i.e., International Novelty Orchestra] ; Jack Shilkret |
Orchestra, with male vocal solo |
|
| B-30624 | 8/8/1924 | Go 'long mule | Vernon Dalhart |
Male vocal solo, with orchestra |
|
| BVE-33213 | 8/7/1925 | Oh say! Can I see you to-night | Billy Murray |
Male vocal solo, with orchestra |
|
| BVE-33419 | 9/19/1925 | Oh say! Can I see you to-night | Johnny Hamp ; Kentucky Serenaders |
Jazz/dance band, with male vocal trio |
|
| BVE-35992 | 9/13/1926 | Alabama stomp | Gus C. Edwards Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-37259 | 12/17/1926 | I need lovin' | Coon-Sanders Original Nighthawk Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-43359 | 3/14/1928 | Give me the sunshine | Roger Wolfe Kahn Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-47074 | 9/21/1928 | Adam and Eve | Nelstone's Hawaiians |
Vocal and instrumental ensemble (Hawaiian) |
|
| BVE-56089 | 9/13/1929 | Remarkable girl | Ted Weems Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-57234 | 12/6/1929 | After you've gone | Coon-Sanders Original Nighthawk Orchestra ; Carleton A. Coon ; Joe Sanders |
Jazz/dance band, with male vocal duet |
|
| BVE-58529 | 1/28/1930 | After you've gone | Gene Austin |
Male vocal solo, with orchestra |
|
| BVE-58545 | 1/31/1930 | If I could be with you one hour to-night | McKinney's Cotton Pickers ; George Thomas |
Jazz/dance band, with male vocal solo |
|
| BVE-59721 | 3/21/1930 | After you've gone | Bennie Paine ; Fats Waller |
Piano duet |
|
| PBVE-Test-315 | 5/1/1929 | After you've gone | Janet Adair |
Female vocal solo, with piano |
