Howard E. Johnson (lyricist)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| B-14854 | 5/22/1914 | Bregeiro tango | Conrad's Society Orchestra |
Orchestra |
|
| B-15462 | 12/4/1914 | I'm glad my wife's in Europe | William J. Halley |
Male vocal solo, with orchestra |
|
| B-16702 | 10/21/1915 | You'd never know that old home town of mine | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-16778 | 11/17/1915 | M-O-T-H-E-R (A word that means the world to me) | Henry Burr |
Male vocal solo, with orchestra |
|
| B-17048 | 1/21/1916 | There's a broken heart for every light on Broadway | Edna Brown [i.e., Elsie Baker] |
Female vocal solo, with cello and orchestra |
|
| B-17288 | 3/8/1916 | Siam | American Quartet |
Male vocal quartet, with orchestra |
|
| B-17771 | 5/31/1916 | I'm saving up the means to get to New Orleans | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-18127 | 7/18/1916 | Moonshine Sally | Henry Burr ; Albert Campbell |
Male vocal duet, with orchestra |
|
| B-18134 | 7/19/1916 | Ireland must be Heaven for my mother came from there | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-18325 | 9/5/1916 | He may be old, but he's got young ideas | Billy Murray |
Male vocal solo, with orchestra |
|
| B-18577 | 10/25/1916 | It's not your nationality (It's simply you) | Billy Murray |
Male vocal solo, with orchestra |
|
| B-18711 | 11/15/1916 | Keep your eye on the girlie you love | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-18951 | 1/3/1917 | What do you want to make those eyes at me for? | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-19513 | 3/26/1917 | I called you my sweetheart | James F. Harrison [i.e., Frederick Wheeler] |
Male vocal solo, with orchestra |
|
| B-20060 | 6/19/1917 | Mother, Dixie and you | Sterling Trio |
Male vocal trio, with orchestra |
|
| B-20307 | 6/28/1917 | Where do we go from here? | American Quartet |
Male vocal quartet, with orchestra |
|
| B-20812 | 10/1/1917 | In the land of wedding bells | Henry Burr ; Albert Campbell |
Male vocal duet, with orchestra |
|
| B-20835 | 10/4/1917 | Hello, aloha, hello | Shannon Four |
Male vocal quartet, with orchestra |
|
| B-20939 | 11/1/1917 | I don't want to get well | Van and Schenck |
Male vocal duet, with orchestra |
|
| B-21031 | 10/31/1917 | There's something in the name of Ireland (that the whole world seems to love) | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-21403 | 1/3/1918 | Homeward bound | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-21416 | 1/14/1918 | Tom, Dick and Harry and Jack (Hurry back) | Shannon Four |
Male vocal quartet, with orchestra |
|
| B-21670 | 4/8/1918 | Just like Washington crossed the Delaware, General Pershing will cross the Rhine | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-22436 | 11/27/1918 | The Navy will bring them back | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-22679 | 4/10/1919 | Friends | Henry Burr |
Male vocal solo, with violin and orchestra |
|
| B-22846 | 5/12/1919 | Thank God you're here, Mother mine | John Steel |
Male vocal solo, with violin, cello, and orchestra |
|
| B-23482 | 11/19/1919 | Freckles | Billy Murray |
Male vocal solo, with orchestra |
|
| B-24169 | 6/16/1920 | I'm in heaven when I'm in my mother's arms (I don't have to die to go to heaven) | William Robyn |
Male vocal solo, with violin and orchestra |
|
| B-24757 | 12/21/1920 | Marimba | Billy Murray |
Male vocal solo, with 3 marimbas, violin, and orchestra |
|
| B-24788 | 1/13/1921 | The rose I call sweetheart | William Robyn |
Male vocal solo, with celeste and orchestra |
|
| B-25510 | 8/10/1921 | Mother, I didn't understand | Charles Harrison |
Male vocal solo, with orchestra |
|
| B-25779 | 11/25/1921 | Sally and Irene and Mary | Isabelle Patricola |
Female vocal solo, with orchestra |
|
| B-26166 | 3/20/1922 | My Machree's lullaby | Charles Harrison |
Male vocal solo, with harp and orchestra |
|
| B-26588 | 7/13/1922 | On the shores of the Rockaway | Fanny Brice |
Female vocal solo, with violin and orchestra |
|
| B-28673 | 10/17/1923 | You didn't care when you broke my heart (so why should I care now) | Elliott Shaw |
Male vocal solo, with violin and orchestra |
|
| B-28818 | 10/31/1923 | Every night I cry myself to sleep over you | Henry Burr |
Male vocal solo, with piano, saxophone, and orchestra |
|
| B-29128 | 12/14/1923 | When Mother sings 'Sweet and low' | The Manhattan Merrymakers ; Peerless Quartet |
Jazz/dance band, with male vocal quartet |
|
| B-29982 | 5/9/1924 | Paradise Alley | Paul Whiteman Orchestra |
Jazz/dance band, with male vocal duet |
|
| B-31981 | 2/19/1925 | Those Panama mamas (are ruining me) | Belle Baker |
Female vocal solo, with orchestra |
|
| BVE-32737 | 6/22/1925 | One smile | International Novelty Orchestra |
Orchestra, with male vocal solo |
|
| BVE-35479 | 5/26/1926 | Am I wasting my time on you | Elliott Shaw |
Male vocal solo, with orchestra |
|
| BVE-35590 | 7/19/1926 | She belongs to me | Ted Weems Orchestra |
Jazz/dance band, with male vocal trio |
|
| BVE-36133 | 8/25/1926 | It won't be long now | The Happiness Boys |
Male vocal duet, with piano |
|
| BVE-36994 | 12/3/1926 | Everything's made for love | Gene Austin ; Art Fowler |
Male vocal solo, with ukulele and piano |
|
| BVE-37564 | 1/24/1927 | That's what I call a pal | Henry Burr |
Male vocal solo, with orchestra |
|
| BVE-38106 | 2/23/1927 | That's my hap-hap-happiness | The Happiness Boys |
Male vocal duet, with piano |
|
| BVE-38107 | 2/23/1927 | Cook-a-doodle, I'm off my noodle | The Happiness Boys |
Male vocal duet, with piano |
|
| BVE-38183 | 3/18/1927 | My idea of heaven (is to be in love with you) | Gene Austin |
Male vocal solo, with orchestra |
|
| BVE-38225 | 3/18/1927 | My idea of heaven (is to be in love with you) | Jack Smith |
Male vocal solo, with piano |
|
| BVE-38826 | 5/23/1927 | Lindbergh (the eagle of the U.S.A. ) | Vernon Dalhart |
Male vocal solo, with orchestra |
|
| BVE-39421 | 6/23/1927 | Gid-ap Garibaldi | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal duet |
|
| BVE-39618 | 7/1/1927 | What do we do on a dew-dew-dewy day | Nathaniel Shilkret ; Victor Orchestra |
Orchestra, with male vocal solo |
|
| BVE-39949 | 8/9/1927 | What do we do on a dew-dew-dewy day | Charlie Farrell ; Jim Miller |
Male vocal duet, with instrumental ensemble |
|
| BVE-39950 | 8/10/1927 | Where the Coosa River flows | Vernon Dalhart |
Male vocal solo, with violin and guitar |
|
| BVE-40559 | 11/9/1927 | Old names of old flames | Henry Burr ; Peerless Quartet |
Male vocal quartet and soloist, with instrumental ensemble |
|
| BVE-40750 | 11/30/1927 | I scream, you scream, we all scream for ice cream | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal solo |
|
| BVE-42435 | 2/10/1928 | You'd rather forget than forgive | The Silver-Masked Tenor [i.e., Joseph M. White] |
Male vocal solo, with orchestra |
|
| BVE-43500 | 3/26/1928 | She's the sweetheart of six other guys | The Happiness Boys |
Male vocal duet, with piano |
|
| BVE-43733 | 4/18/1928 | She's the sweetheart of six other guys | Pennsylvanians ; Fred Waring |
Jazz/dance band, with male vocal chorus |
|
| BVE-45411 | 5/29/1928 | Don't wait till the lights are low | Hotel Sinton Orchestra ; Henry Thies |
Jazz/dance band, with male vocal duet |
|
| BVE-49982 | 2/21/1929 | Shady lady | Roger Wolfe Kahn Orchestra |
Jazz/dance band, with male vocal solo |
|
| BVE-59785 | 5/12/1930 | Singing a song to the stars | Leo Reisman Orchestra |
Jazz/dance band, with vocal solo |
|
| BVE-62280 | 6/17/1930 | Singing a song to the stars | Lewis James |
Male vocal solo, with orchestra |
|
| [Trial 1923-08-24-04] | 8/24/1923 | I cry myself to sleep over you | Jane Makalea Hawaiian Band ; Jane Makalea |
Female vocal solo, with instrumental ensemble |
