Léo Delibes (composer)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix A-]557 | 12/4/1900 | Dôme épais | Rosalia Chalia ; Jane Frankel |
Vocal duet (soprano and contralto) |
|
| [Pre-matrix A-]1399 | 5/20/1902 | Bonjour Suzon | Monsieur Fernand [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| [Pre-matrix B-]1399 | 5/20/1902 | Bonjour Suzon | Monsieur Fernand [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| [Pre-matrix A-]1441 | 6/20/1902 | Scherzo | Darius Lyons ; Sousa's Band |
Piccolo solo, with band |
|
| [Pre-matrix B-]1441 | 6/20/1902 | Sylva Scherzo | Darius Lyons ; Sousa's Band |
Piccolo solo, with band |
|
| [Pre-matrix C-]31094 | 1901-1902 | Ballet selection from Sylvia | Sousa's Band |
Band |
|
| C-277 | 8/15/1903 | Ballet—Pizzicato | Sousa's Band |
Band |
|
| A-277 | 8/15/1903 | Ballet—Pizzicato | Sousa's Band |
Band |
|
| B-277 | 8/15/1903 | Ballet—Pizzicato | Sousa's Band |
Band |
|
| B-428 | 9/17/1903 | Les filles de Cadiz | Lillian Blauvelt |
Soprano vocal solo, with piano |
|
| B-973 | 1/1904 | Bonjour Suzon | Monsieur Fernand [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| B-1805 | 10/18/1904 | Coppelia : Selections | Garde Républicaine Band |
Band |
|
| B-1816 | 10/19/1904 | Prelude and mazurka | Garde Républicaine Band |
Band |
|
| B-2206 | 1/27/1905 | Sylvia ballet - marche | Arthur Pryor's Band |
Band |
|
| B-2207 | 1/27/1905 | Sylvia ballet - valse lente | Arthur Pryor's Band |
Band |
|
| C-2311 | 2/17/1905 | Stances de Lakme | Marcel Journet |
Bass vocal solo, with orchestra |
|
| B-2414 | 3/25/1905 | Sylvia ballet : pizzicato | Arthur Pryor's Band |
Band |
|
| B-2601 | 6/6/1905 | Les filles de Cadiz | Louise Homer |
Contralto vocal solo, with piano |
|
| C-2601 | 6/6/1905 | Les filles de Cadiz | Louise Homer |
Contralto vocal solo, with piano |
|
| C-3072 | 1/31/1906 | Naila intermezzo | Arthur Pryor's Band |
Band |
|
| C-4232 | 2/1/1907 | Bell song | Bessie Abott |
Soprano vocal solo, with orchestra |
|
| B-4251 | 2/15/1907 | Coppelia valse | Victor Concert Orchestra |
Orchestra |
|
| B-4517 | 5/21/1907 | Les filles de Cadiz | Louise Homer |
Contralto vocal solo, with orchestra |
|
| C-4831 | 9/24/1907 | Où va la jeune Indoue? | Ellen Beach Yaw |
Soprano vocal solo, with orchestra |
|
| C-6209 | 5/20/1908 | Dôme épais | Emma Eames ; Louise Homer |
Vocal duet (soprano and contralto), with piano |
|
| C-6225 | 5/25/1908 | Dôme épais le jasmin | Emma Eames ; Louise Homer |
Vocal duet (soprano and contralto), with orchestra |
|
| B-8379 | 11/16/1909 | Scarf dance | Victor Dance Orchestra |
Orchestra |
|
| C-8400 | 11/23/1909 | Scarf dance | Victor Orchestra |
Orchestra |
|
| C-8401 | 11/23/1909 | Variation | Victor Orchestra |
Orchestra |
|
| C-8750 | 3/25/1910 | Immenso vienteso ... Vien al boscaglia | John McCormack |
Tenor vocal solo, with orchestra |
|
| B-8750 | 3/25/1910 | Vien nel contento profondo | John McCormack |
Tenor vocal solo, with orchestra |
|
| B-8855 | 4/15/1910 | Naila intermezzo | Pietro Frosini |
Accordion solo |
|
| B-8965 | 5/18/1910 | Pizzicato polka | William H. Reitz |
Xylophone solo, unaccompanied |
|
| C-10075 | 3/18/1911 | Dov'è l'Indiana bruna? | Luisa Tetrazzini |
Soprano vocal solo, with orchestra and bells |
|
| B-11232 | 11/14/1911 | The maids of Cadiz | Lucy Isabelle Marsh |
Soprano vocal solo, with orchestra |
|
| C-12228 | 7/24/1912 | Coppelia ballet | Conway's Band |
Band |
|
| B-12543 | 10/28/1912 | Bon jour, Suzon! | Charles Dalmorès |
Tenor vocal solo, with piano |
|
| B-13811 | 9/17/1913 | Good-morning, Sue | Ernestine Schumann-Heink |
Contralto vocal solo, with orchestra |
|
| B-14935 | 6/4/1914 | Valse lento | Victor Concert Orchestra |
Orchestra |
|
| C-17833 | 6/9/1916 | Où va la jeune Hindoue | Mabel Garrison |
Soprano vocal solo, with orchestra |
|
| C-18595 | 10/31/1916 | Dov'e l'indiana bruna | Amelita Galli-Curci |
Soprano vocal solo, with bells and orchestra |
|
| B-18959 | 1/4/1917 | Pizzicato polka | Charles Kellogg |
Whistling solo, with orchestra |
|
| B-19891 | 5/24/1917 | Dans la forêt | Frances Alda |
Soprano vocal solo, with orchestra |
|
| B-20467 | 8/1/1917 | Mazurka | Victor Concert Orchestra |
Orchestra |
|
| B-20468 | 8/1/1917 | Czárdás | Victor Concert Orchestra |
Orchestra |
|
| C-20628 | 8/15/1917 | Festival dance and waltz of the hours | Victor Concert Orchestra |
Orchestra |
|
| C-21223 | 12/4/1917 | Strings | Victor Orchestra |
Instructional |
|
| C-21446 | 2/13/1918 | Entr'acte et valse | Victor Orchestra |
Orchestra |
|
| C-22280 | 10/8/1918 | O fantasia | Carlos Mejía |
Male vocal solo, with orchestra |
|
| B-22893 | 6/6/1919 | Stances | Georges Baklanoff |
Male vocal solo, with orchestra |
|
| B-23134 | 9/3/1919 | Les filles de Cadix | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| BVE-23134 | 3/26/1930 | Les filles de Cadix | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| B-23437 | 10/27/1919 | Passepied | Mischa Elman |
Violin solo, with piano |
|
| C-24379 | 8/12/1920 | Lakmé fantasie | Orville Harrold |
Tenor vocal solo, with harp and orchestra |
|
| B-25535 | 8/26/1921 | Pizzicato polka | Victor Orchestra |
Orchestra |
|
| B-28494 | 9/21/1923 | Fantaisie aux divins mensonges | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| BVE-28494 | 11/25/1925 | Fantaisie aux divins mensonges | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| B-28617 | 9/28/1923 | Coppélia ballet : Entr'acte and waltz | Nathaniel Shilkret ; Victor Symphony Orchestra |
Orchestra |
|
| B-28618 | 9/28/1923 | Naïla ballet : Intermezzo | Rosario Bourdon ; Victor Symphony Orchestra |
Orchestra |
|
| B-28645 | 10/8/1923 | Pourquoi dans les grands bois | Lucrezia Bori |
Soprano vocal solo, with violin and orchestra |
|
| B-29037 | 11/27/1923 | Lakmé, ton doux regard se voile | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| B-30285 | 6/16/1924 | Coppelia : Waltz | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| BVE-31703 | 5/12/1925 | Passepied | Ossip Gabrilowitsch |
Piano solo |
|
| B-31703 | 1/13/1925 | Passepied | Ossip Gabrilowitsch |
Piano solo |
|
| C-31850 | 2/16/1925 | Arioso | Maria Jeritza |
Soprano vocal solo, with orchestra |
|
| BVE-35175 | 6/3/1926 | Bonjour, Suzon | Fred De Lima |
Male vocal solo, with piano |
|
| BVE-37802 | 2/8/1927 | Strings | Victor Orchestra |
Instructional |
|
| CVE-38429 | 4/4/1927 | Chacone | Irene Gruenberg |
Piano solo |
|
| CVE-41400 | 12/5/1927 | Cortege of Bacchus | Victor Symphony Orchestra |
Orchestra |
|
| CVE-42563 | 3/26/1928 | Les filles de Cadix | Mary Lewis |
Soprano vocal solo, with orchestra |
|
| CVE-50789 | 4/3/1929 | Oú va la jeune Hindoue | Sofia Del Campo |
Soprano vocal solo, with orchestra |
|
| BVE-51984 | 5/9/1929 | Mazurka | Motion Picture Orchestra |
Orchestra |
|
| CVE-59550 | 3/25/1930 | Lakmé : Aria | Hubert Raidich |
Male vocal solo, with piano |
|
| BVE-59725 | 3/26/1930 | Où va la jeune Indoue | Lily Pons |
Soprano vocal solo, with orchestra |
|
| BVE-59726 | 3/26/1930 | Là bas, dans la forêt | Lily Pons |
Soprano vocal solo, with orchestra |
|
| PCVE-171 | 4/21/1926 | Dance of the automatons and waltz | Alfred Hertz ; San Francisco Symphony Orchestra |
Orchestra |
|
| PBVE-181 | 4/24/1926 | Intermezzo and valse lente | Alfred Hertz ; San Francisco Symphony Orchestra |
Orchestra |
|
| PBVE-182 | 4/24/1926 | Pizzicati | Alfred Hertz ; San Francisco Symphony Orchestra |
Orchestra |
|
| S-232 | 7/1907 | Baleto | Banda de Policía de México |
Band |
|
| S-448 | 11/10/1910 | Baleto | Banda de Policía de México |
Band |
|
| [Trial 1916-10-12-01] | 10/12/1916 | Bell song | Amelita Galli-Curci |
Soprano vocal solo |
|
| [Trial 1916-10-28-04] | 10/28/1916 | Bell song | Amelita Galli-Curci |
Soprano vocal solo |
|
| C-[Unnumbered 1918-03-15-02] | 3/15/1918 | Entr'acte et valse | Victor Orchestra |
Orchestra |
|
| 5933h | 1908 | Pourquoi dans les grands bois | Alice Verlet |
Soprano vocal solo, with orchestra |
