William Shakespeare (author)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix B-]938 | 9/7/1901 | All the world's a stage | D. E. Hanlon |
Recitation |
|
| [Pre-matrix A-]938 | 9/7/1901 | All the world's a stage | D. E. Hanlon |
Recitation |
|
| [Pre-matrix B-]3540 | 9/7/1901 | All the world's a stage | D. E. Hanlon |
Recitation |
|
| B-783 | 12/4/1903 | The ghost scene | Edward Brigham |
Recitation |
|
| C-2316 | 2/20/1905 | Who is Sylvia? | Emma Eames |
Soprano vocal solo, with piano |
|
| E-3478 | 6/15/1906 | Seven ages | Edgar L. Davenport |
Recitation |
|
| B-9988 | 2/21/1911 | Mercy speech : Act IV | Ellen Terry |
Recitation |
|
| C-9989 | 2/21/1911 | Potion scene : Act 4, scene 3 | Ellen Terry |
Recitation |
|
| B-9990 | 2/21/1911 | I have brought Claudio : Act II, scene I | Ellen Terry |
Recitation |
|
| C-9991 | 2/21/1911 | Ophelia's mad scene, part 1 | Ellen Terry |
Recitation |
|
| C-9992 | 2/21/1911 | Ophelia's mad scene, part 2 | Ellen Terry |
Recitation |
|
| B-9993 | 2/21/1911 | Mamilius, Hermione, and ladies | Ellen Terry |
Recitation |
|
| B-10017 | 2/28/1911 | Death of Falstaff : Act 2, scene 3 | Ellen Terry |
Recitation |
|
| B-10035 | 3/8/1911 | Who is Sylvia? | John Barnes Wells |
Male vocal solo, with orchestra |
|
| B-10721 | 7/13/1911 | Hamlet's soliloquy | Frank Burbeck |
Recitation |
|
| C-10722 | 7/13/1911 | Antony's address over the body of Caesar | Frank Burbeck |
Recitation |
|
| C-10723 | 7/13/1911 | Antony's address over the body of Caesar | Frank Burbeck |
Recitation |
|
| C-10724 | 7/13/1911 | Brutus's address over the body of Caesar | Frank Burbeck |
Recitation |
|
| B-10726 | 7/13/1911 | The fall of Wolsey | Frank Burbeck |
Recitation |
|
| B-10727 | 7/13/1911 | Speech on discovering treason | Frank Burbeck |
Recitation |
|
| B-10963 | 9/15/1911 | I know a bank | Marguerite Dunlap ; Elizabeth Wheeler |
Female vocal duet, with piano |
|
| B-11102 | 10/14/1911 | Hark, hark! the lark | Evan Williams |
Tenor vocal solo, with piano |
|
| C-11311 | 11/27/1911 | Trot here and there | Emma Eames ; Emilio de Gogorza |
Vocal duet (soprano and baritone), with piano |
|
| B-11815 | 4/2/1912 | Take, oh take those lips away | John McCormack |
Tenor vocal solo, with orchestra |
|
| B-11944 | 4/30/1912 | The seven ages of man | Ben Greet |
Recitation |
|
| C-11945 | 4/30/1912 | The duke's speech | Ben Greet |
Recitation |
|
| B-11948 | 4/30/1912 | Marc Antony's oration | Ben Greet |
Recitation |
|
| B-11956 | 5/1/1912 | Prospero's speech | Ben Greet |
Recitation |
|
| B-11957 | 5/1/1912 | Queen Mab's speech | Ben Greet |
Recitation |
|
| B-11958 | 5/1/1912 | Plea for mercy | Ben Greet |
Recitation |
|
| B-11959 | 5/1/1912 | Hamlet's advice to the players | Ben Greet |
Recitation |
|
| B-11960 | 5/1/1912 | The charm of music | Ben Greet |
Recitation |
|
| B-11961 | 5/1/1912 | The power of music | Ben Greet |
Recitation |
|
| C-11962 | 5/2/1912 | Othello's defense | Frank Burbeck |
Recitation |
|
| B-11963 | 5/2/1912 | Shylock's rebuke | Frank Burbeck |
Recitation |
|
| B-11965 | 5/2/1912 | The seven ages of man | Frank Burbeck |
Recitation |
|
| B-11966 | 5/2/1912 | Fool in the forest | Frank Burbeck |
Recitation |
|
| C-11983 | 5/3/1912 | Soliloquy : Before the battle of Agincourt | Frank Burbeck |
Recitation |
|
| B-11985 | 5/3/1912 | Before Harfleur | Ben Greet |
Recitation |
|
| B-11986 | 5/3/1912 | Othello's story to the Senate | Ben Greet |
Recitation |
|
| C-11987 | 5/3/1912 | Strike upon the bell | Ben Greet |
Recitation |
|
| B-11988 | 5/3/1912 | Hamlet on friendship | Ben Greet |
Recitation |
|
| B-11989 | 5/3/1912 | Benedick's idea of a wife | Ben Greet |
Recitation |
|
| B-11990 | 5/3/1912 | St. Crispin's Day | Ben Greet |
Recitation |
|
| B-12101 | 6/10/1912 | Lo, here the gentle lark | Alma Gluck |
Soprano vocal solo, with flute and orchestra |
|
| B-15030 | 7/2/1914 | Who is Sylvia? | Reinald Werrenrath |
Male vocal solo, with harp |
|
| B-15031 | 7/2/1914 | Where the bee sucks | Reinald Werrenrath |
Male vocal solo, with harp, cello, and bells |
|
| B-15038 | 7/3/1914 | Sigh no more, ladies | Raymond Dixon [i.e., Lambert Murphy] |
Male vocal solo, with harp |
|
| B-15039 | 7/3/1914 | Come away, Death | Raymond Dixon [i.e., Lambert Murphy] |
Male vocal solo, with harp |
|
| B-15040 | 7/3/1914 | O mistress mine | Raymond Dixon [i.e., Lambert Murphy] |
Male vocal solo, with harp and cello |
|
| B-15057 | 7/13/1914 | It was a lover and his lass | Raymond Dixon [i.e., Lambert Murphy] ; Harry Macdonough |
Male vocal duet, unaccompanied |
|
| B-15058 | 7/13/1914 | Blow, blow thou winter wind | Raymond Dixon [i.e., Lambert Murphy] ; Male vocal quartet |
Male vocal solo, with male vocal quartet and woodwinds |
|
| B-15059 | 7/13/1914 | Under the greenwood tree | Raymond Dixon [i.e., Lambert Murphy] |
Male vocal solo, with male vocal chorus and woodwinds |
|
| B-15060 | 7/13/1914 | What shall he have who killed the deer | Victor Male Quartet |
Male vocal quartet, with brass sextet |
|
| B-15061 | 7/13/1914 | Come unto these yellow sands | Raymond Dixon [i.e., Lambert Murphy] ; William F. Hooley ; Reinald Werrenrath |
Male vocal trio, with harp and cello |
|
| B-15077 | 7/23/1914 | The airs sung by Ophelia | Olive Kline |
Female vocal solo, with harp |
|
| B-15615 | 1/21/1915 | When that I was a little tiny boy | Raymond Dixon [i.e., Lambert Murphy] ; Harry Macdonough ; Reinald Werrenrath |
Male vocal trio, unaccompanied |
|
| C-16017 | 5/10/1915 | Tell me, where is fancy bred | Lucy Isabelle Marsh ; Reinald Werrenrath |
Vocal duet (soprano and baritone), with cello, flute, and harp |
|
| C-16215 | 9/23/1915 | You spotted snakes | Victor Women's Chorus |
Female vocal chorus, with orchestra |
|
| B-16215 | 7/19/1915 | Ye spotted snakes | Victor Women's Chorus |
Chorus, with orchestra |
|
| B-18507 | 9/27/1916 | Hark! hark! the lark | Alma Gluck |
Soprano vocal solo, with orchestra |
|
| B-18755 | 11/23/1916 | Lo, here the gentle lark! | Olive Kline |
Soprano vocal solo, with flute and orchestra |
|
| B-21486 | 3/6/1918 | She never told her love | Laura Littlefield |
Female vocal solo, with harp and orchestra |
|
| B-21493 | 3/7/1918 | When daisies pied and violets blue | Laura Littlefield |
Female vocal solo, with orchestra |
|
| C-23131 | 9/3/1919 | Lo! Here the gentle lark | Amelita Galli-Curci |
Soprano vocal solo, with flute and orchestra |
|
| CVE-23131 | 9/20/1927 | Lo! Here the gentle lark | Amelita Galli-Curci |
Soprano vocal solo, with flute and orchestra |
|
| C-23936 | 4/14/1920 | Balcony scene | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| C-23937 | 4/14/1920 | Hamlet's soliloquy : To be or not to be | E. H. Sothern |
Dramatic scene |
|
| B-23937 | 5/24/1920 | Hamlet's soliloquy : To be or not to be | E. H. Sothern |
Dramatic scene |
|
| C-23938 | 4/14/1920 | Hamlet's speech to the players | E. H. Sothern |
Dramatic scene |
|
| C-23939 | 4/15/1920 | The seven ages of man : All the world's a stage | E. H. Sothern |
Dramatic scene |
|
| C-23940 | 4/15/1920 | Jacques' speech : I met a fool in the forest | E. H. Sothern |
Dramatic scene |
|
| C-24661 | 10/25/1920 | Good-morrow, Kate; for that's your name, I hear | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| C-24662 | 10/25/1920 | What is your will, sir, that you send for me? | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| C-24663 | 10/26/1920 | Balcony scene | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with orchestra |
|
| C-24664 | 10/26/1920 | Balcony scene | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with orchestra |
|
| C-24666 | 10/28/1920 | Antony's oration : Friends, Romans, countrymen, lend me your ears | E. H. Sothern |
Dramatic scene |
|
| C-24667 | 10/28/1920 | Antony's oration : If you have tears, prepare to shed them now | E. H. Sothern |
Dramatic scene |
|
| C-24671 | 10/29/1920 | Shylock's speech | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| B-24678 | 11/3/1920 | Love scene in the Forest Arden | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with organ |
|
| B-24679 | 11/3/1920 | Love scene in the Forest Arden | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with organ |
|
| B-24680 | 11/3/1920 | Love scene in the Forest Arden | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with organ |
|
| B-24681 | 11/3/1920 | Love scene in the Forest Arden | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with organ |
|
| C-24789 | 1/13/1921 | Brutus and Portia | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| C-24940 | 2/15/1921 | Love scene in the forest Arden | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with organ |
|
| C-24941 | 2/15/1921 | Love scene in the forest Arden | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with organ |
|
| C-24942 | 2/15/1921 | The Duke and Viola | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with small orchestra |
|
| C-24943 | 2/15/1921 | Murder scene | Julia Marlowe ; E. H. Sothern |
Dramatic scene, with bells |
|
| B-29288 | 1/15/1924 | I know a bank | Anna Howard [i.e., Lucy Isabelle Marsh] ; Laura Littlefield |
Female vocal duet, with orchestra |
|
| CVE-35806 | 7/13/1926 | Lo, here the gentle lark | Marion Talley |
Soprano vocal solo, with flute and orchestra |
|
| BVE-37684 | 2/22/1927 | Who is Sylvia? | Royal Dadmun |
Tenor vocal solo, with piano |
|
| BVE-38203 | 3/3/1927 | Hark! Hark! The lark | Lambert Murphy |
Tenor vocal solo, with piano |
|
| BVE-39879 | 10/7/1927 | I know a bank whereon the wild thyme blows | Elsie Baker ; Olive Kline |
Vocal duet (soprano and contralto), with orchestra |
|
| CVE-43632 | 4/13/1928 | Hamlet's soliloquy | John Barrymore |
Recitation, with string quartet and traps |
|
| CVE-43633 | 4/13/1928 | Gloucester's soliloquy | John Barrymore |
Recitation, with string quartet and traps |
|
| CVE-49214 | 11/28/1928 | Hark! Hark! The lark | John McCormack |
Tenor vocal solo, with vocal quartet and orchestra |
|
| CVE-53461 | 6/6/1929 | Now I am alone | Arthur Edmund Carewe |
Recitation |
|
| [Trial 1916-03-13-08] | 3/13/1916 | Clarence's dream | Mr. R. McGlaughlin |
Recitation |
|
| [Trial 1916-05-15-01] | 5/15/1916 | Cassius' instigation of Brutus | Professor Thomas C. Trueblood |
Recitation |
|
| [Trial 1916-05-15-02] | 5/15/1916 | Now I am alone | Professor Thomas C. Trueblood |
Recitation |
|
| [Trial 1913-11-28-01] | 11/28/1913 | Short sketches from Julius Caesar | S. H. Clark |
Recitation |
|
| [Trial 1919-10-30-02] | 10/30/1919 | Balcony scene | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| [Trial 1914-02-05-01] | 2/5/1914 | It was a lover and his lass | Mr. and Mrs. Why |
Female-male vocal duet |
|
| [Trial 1919-10-30-01] | 10/30/1919 | Balcony scene | Julia Marlowe ; E. H. Sothern |
Dramatic scene |
|
| [Trial 1914-09-03-03] | 9/3/1914 | Seven ages of man | Chas. B. Hanford |
Recitation |
|
| [Trial 1916-07-31-12] | 7/31/1916 | Portia's speech from 'Merchant of Venice' | Mrs. Arthur Phillips |
Recitation |
|
| [Trial 1911-04-26-02] | 4/26/1911 | Who is Sylvia? | Miss Philbrick |
Female vocal solo |
|
| MELBA 20 | 3/1904 | Mad scene | Nellie Melba |
Soprano vocal solo, with orchestra |
|
| MELBA 21 | 3/1904 | Mad scene | Nellie Melba |
Soprano vocal solo, with orchestra |
|
| 521c | 9/5/1905 | Lo, hear the gentle lark | Nellie Melba |
Soprano vocal solo, with piano and flute |
|
| 1329c | Fall, 1907 | Monologo | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| 17467u | 10/15/1912 | Apparizione dello spettro [Angels and ministers of grace defend us] | Titta Ruffo |
Recitation |
|
| 17468u | 10/15/1912 | Essere o non essere [To be or not to be] | Titta Ruffo |
Recitation |
