Gaetano Donizetti (composer)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix B-]334 | 4/2/1901 | Lucia di Lammermoor : Sextette | Sousa's Band |
Band, with brass sextet |
|
| [Pre-matrix A-]334 | 10/2/1900 | Sextette | Sousa's Band |
Band, with brass sextet |
|
| [Pre-matrix A-]1001 | 7/1900 | Spirto gentil | Carlo Caffetto |
Tenor vocal solo |
|
| [Pre-matrix A-]1009 | 1900 | Tombe degli avi miei | Carlo Caffetto |
Tenor vocal solo |
|
| [Pre-matrix B-]1344 | 3/25/1902 | Vien, Leonora | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| [Pre-matrix A-]1344 | 3/25/1902 | Vien, Leonora | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| [Pre-matrix C-]2201 | 1901-03 | Sextette | Victor Grand Concert Band |
Band |
|
| [Pre-matrix B-]3230 | 4/3/1901 | Sextette from Lucia | Sousa's Band |
Band, with brass sextet |
|
| C-141 [Old series] | 2/9/1903 or 5/26/1903 | Sextette from Lucia | Victor Grand Concert Band |
Band |
|
| B-157 | 6/29/1903 | Sextette | Royal Italian Marine Band |
Band |
|
| B-167 | 6/30/1903 | Sextette from Lucia | Royal Italian Marine Band |
Band |
|
| A-340 | 8/25/1903 | Sextette | Sousa's Band |
Band, with brass sextet |
|
| B-340 | 8/25/1903 | Sextette | Sousa's Band |
Band, with brass sextet |
|
| B-996 | 2/1/1904 | Una furtiva lagrima | Enrico Caruso |
Tenor vocal solo, with piano |
|
| C-996 | 2/1/1904 | Una furtiva lagrima | Enrico Caruso |
Tenor vocal solo, with piano (take 1); orchestra (take 1[a]) |
|
| B-1092 | 3/10/1904 | Bella siccome un angelo | Antonio Scotti |
Baritone vocal solo, with piano |
|
| B-1457 | 6/9/1904 | Vien, Leonora | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo, with piano |
|
| B-1693 | 9/19/1904 | Sextette from Lucia | Royal Italian Marine Band |
Band |
|
| C-1693 | 9/19/1904 | Sextette from Lucia | Royal Italian Marine Band |
Band |
|
| C-2014 | 12/5/1904 | Sextette from Lucia | Arthur Pryor's Band |
Band |
|
| C-2340 | 2/27/1905 | Serenata - Com'è gentil | Enrico Caruso |
Tenor vocal solo, with piano |
|
| C-2361 | 3/2/1905 | Come Paride vezzoso | Antonio Scotti |
Baritone vocal solo, with piano |
|
| B-2509 | 5/1/1905 | Udite, udite o rustici | Arcangelo Rossi |
Bass vocal solo, with orchestra |
|
| C-2978 | 1/3/1906 | Brindisi | Ernestine Schumann-Heink |
Contralto vocal solo, with orchestra |
|
| C-3104 | 2/11/1906 | Spirto gentil | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-3154 | 3/1/1906 | Mad scene | Marcella Sembrich |
Soprano vocal solo, with flute obbligato and orchestra |
|
| C-3181 | 3/14/1906 | Duetto | Antonio Scotti ; Marcella Sembrich |
Vocal duet (soprano and baritone), with orchestra |
|
| B-3190 | 3/19/1906 | Bella siccome un angelo | Antonio Scotti |
Baritone vocal solo, with orchestra |
|
| B-3254 | 4/5/1906 | Il furioso | Gustavo Bernal-Resky |
Baritone vocal solo, with orchestra |
|
| C-4286 | 3/6/1907 | A tanto amor | Mario Ancona |
Baritone vocal solo, with orchestra |
|
| C-4349 | 3/28/1907 | Mad scene | Nellie Melba |
Soprano vocal solo, with 2 flutes |
|
| C-4401 | 4/15/1907 | Daughter of the regiment overture | Arthur Pryor's Band |
Band |
|
| C-4523 | 5/22/1907 | Una furtiva lagrima | Florencio Constantino |
Tenor vocal solo, with orchestra |
|
| C-4538 | 5/28/1907 | O bell' alma innamorata | Florencio Constantino |
Tenor vocal solo, with orchestra |
|
| C-4549 | 5/31/1907 | Quel guardo | Alice Nielsen |
Soprano vocal solo, with orchestra |
|
| C-4550 | 5/31/1907 | Verrano a te sull'aure | Florencio Constantino ; Alice Nielsen |
Vocal duet (soprano and tenor), with orchestra |
|
| C-4834 | 9/25/1907 | Ardon gl'incensi | Ellen Beach Yaw |
Soprano vocal solo, with orchestra |
|
| C-4887 | 10/18/1907 | Di pescatore ignobile | Carlo Albani |
Tenor vocal solo, with orchestra |
|
| C-4998 | 1/7/1908 | Ardon gl'incensi | Bessie Abott |
Soprano vocal solo |
|
| C-5008 | 1/10/1908 | In terra solo | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-5052 | 2/3/1908 | Sextette : Chi mi frena | Enrico Caruso ; Francesco Daddi ; Marcel Journet ; Antonio Scotti ; Marcella Sembrich ; Gina Severina |
Vocal sextet (soprano, mezzo-soprano, 2 tenors, baritone, and bass), with orchestra |
|
| C-6061 | 3/29/1908 | Una furtiva lagrima | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-6133 | 4/22/1908 | Convien partir | Alice Nielsen |
Soprano vocal solo, with orchestra |
|
| B-6134 | 4/22/1908 | Una vergine | Florencio Constantino |
Tenor vocal solo, with orchestra |
|
| C-6218 | 5/20/1908 | Belisario overture | Arthur Pryor's Band |
Band |
|
| C-6397 | 9/9/1908 | Salut à la France | Delaur Trio |
Vocal trio, with orchestra |
|
| C-6574 | 11/2/1908 | O luce di quest' anima | Marcella Sembrich |
Soprano vocal solo, with orchestra |
|
| C-8034 | 6/9/1909 | Spirit so fair | Evan Williams |
Tenor vocal solo, with orchestra |
|
| C-8282 | 10/6/1909 | A furtive tear | Evan Williams |
Tenor vocal solo, with orchestra |
|
| C-8535 | 1/3/1910 | Fra poco a me ricovero | John McCormack |
Tenor vocal solo, with orchestra |
|
| C-8536 | 1/7/1910 | Una furtiva lagrima | John McCormack |
Tenor vocal solo, with orchestra |
|
| C-8739 | 3/23/1910 | Per viver vicino a Maria | John McCormack |
Tenor vocal solo, with orchestra |
|
| C-8740 | 3/23/1910 | Tu che a Dio spiegasti l'ali | John McCormack |
Tenor vocal solo, with orchestra |
|
| C-8754 | 3/26/1910 | Rataplan duet | Charles Gilibert ; Marcella Sembrich |
Vocal duet (soprano and baritone), with orchestra |
|
| C-10068 | 3/16/1911 | Il dolce suono | Luisa Tetrazzini |
Soprano vocal solo, with flute and orchestra |
|
| C-10101 | 3/27/1911 | Lucia sextette : Chi mi frena | Victor Opera Sextette |
Vocal sextet (soprano, contralto, tenor, 2 baritones, and bass), with orchestra (issued takes) |
|
| C-10116 | 3/31/1911 | Daughter of the regiment : Selection | Vessella's Italian Band |
Band |
|
| C-10203 | 4/6/1911 | Lucia sextette | Vessella's Italian Band |
Band |
|
| B-10560 | 6/20/1911 | Cercheró lontana terra | Umberto Sorrentino |
Tenor vocal solo, with orchestra |
|
| B-10973 | 9/15/1911 | On the sea | Marguerite Dunlap ; Elizabeth Wheeler |
Female vocal duet, with piano |
|
| C-11407 | 12/21/1911 | Mad scene | Edith Helena |
Soprano vocal solo, with orchestra and flute obbligato |
|
| C-11446 | 1/10/1912 | Sextette : Chi mi frena | Pasquale Amato ; Angelo Bada ; Enrico Caruso ; Josephine Jacoby ; Marcel Journet ; Luisa Tetrazzini |
Vocal sextet (soprano, contralto, 2 tenors, baritone, and bass), with orchestra |
|
| C-11457 | 1/15/1912 | Splendon più belle in ciel le stelle | Marcel Journet |
Bass vocal solo, with orchestra and chorus |
|
| C-11587 | 2/12/1912 | Lucia sextette | Ferdinand Himmelreich |
Piano solo |
|
| C-11686 | 3/8/1912 | O mio Fernando | Margarete Matzenauer |
Soprano vocal solo, with orchestra |
|
| C-11786 | 3/22/1912 | Ah! l'alto ardor | Pasquale Amato ; Margarete Matzenauer |
Vocal duet (soprano and baritone), with orchestra and chorus |
|
| B-11797 | 3/27/1912 | Una vergine, un angiol di Dio | Alberto Amadi |
Tenor vocal solo, with orchestra |
|
| C-11799 | 3/27/1912 | O paradiso | Alberto Amadi |
Tenor vocal solo, with orchestra |
|
| C-12117 | 6/19/1912 | Oh, Italia, Italia beloved | Victor Chorus |
Chorus, with orchestra |
|
| C-13520 | 7/3/1913 | Tombe degl'avi miei | Alberto Amadi |
Tenor vocal solo, with orchestra |
|
| B-13980 | 10/22/1913 | Com'e gentil serenade | Charles Harrison |
Tenor vocal solo, with harp |
|
| B-14000 | 10/27/1913 | Brindisi | Sophie Braslau |
Contralto vocal solo, with orchestra |
|
| C-14057 | 11/11/1913 | A furtive tear | Charles Harrison |
Tenor vocal solo, with orchestra |
|
| C-14306 | 1/12/1914 | Gran fantasia | Vessella's Italian Band |
Band |
|
| C-14731 | 4/20/1914 | Della duchessa ai prieghi | Enrico Caruso ; Ema Destinnová ; Antonio Scotti |
Vocal trio (soprano, tenor, and baritone), with orchestra |
|
| C-14817 | 5/11/1914 | O luce di quest'anima | Luisa Tetrazzini |
Soprano vocal solo, with orchestra |
|
| B-15606 | 1/18/1915 | Prelude | Francis J. Lapitino |
Harp solo, with orchestra |
|
| C-15640 | 1/28/1915 | Gems from Lucia di Lammermoor | Victor Opera Company |
Vocal chorus and soloists, with orchestra |
|
| C-15730 | 2/23/1915 | Mad scene | Olive Kline |
Soprano vocal solo, with flute and orchestra |
|
| B-17062 | 1/26/1916 | Dalle stanze | Marcel Journet |
Bass vocal solo, with orchestra |
|
| C-17339 | 3/20/1916 | Fra poco a me ricovero | Giovanni Martinelli |
Tenor vocal solo, with orchestra |
|
| C-17464 | 4/9/1916 | Lucia sextette | Reginald L. McAll |
Organ solo |
|
| C-17529 | 4/21/1916 | Lucia sextette | Hurtado Brothers Royal Marimba Band of Guatemala |
Marimba band |
|
| C-18587 | 10/30/1916 | Il dolce suono | Amelita Galli-Curci |
Soprano vocal solo, with flute obbligato and orchestra |
|
| CVE-18587 | 5/6/1926 | Il dolce suono | Amelita Galli-Curci |
Soprano vocal solo, with flute obbligato and orchestra |
|
| C-19133 | 1/25/1917 | Sextet (Chi mi frena) | Angelo Bada ; Enrico Caruso ; Giuseppe De Luca ; Minnie Egener ; Amelita Galli-Curci ; Marcel Journet |
Vocal sextet (soprano, contralto, 2 tenors, baritone, and bass), with orchestra |
|
| C-19134 | 1/26/1917 | Anathème de Balthazar | Marcel Journet |
Bass vocal solo, with orchestra |
|
| B-19509 | 3/23/1917 | La zingara : Selection | Olive Kline |
Soprano vocal solo, with orchestra |
|
| C-19973 | 6/1/1917 | Tu che a Dio spiegasti l'ali | Giovanni Martinelli |
Tenor vocal solo, with male chorus, piano, harp, and orchestra |
|
| B-19974 | 6/1/1917 | Serenata : Com'e gentil | Giovanni Martinelli |
Tenor vocal solo, with mixed vocal chorus and orchestra |
|
| C-20464 | 7/31/1917 | Una furtiva lagrima | Carlos Mejía |
Male vocal solo, with orchestra |
|
| B-20487 | 8/2/1917 | Spirto gentil | Carlos Mejía |
Male vocal solo, with orchestra |
|
| B-20611 | 8/8/1917 | What from vengeance yet restrains me | Boston Quintet |
Male quintet (vocal quartet and piano) |
|
| C-21494 | 3/7/1918 | A tanto amor | Giuseppe De Luca |
Baritone vocal solo, with orchestra |
|
| B-21679 | 4/17/1918 | Sextet from Lucia | Halle's Saxophone Band |
Saxophone band |
|
| C-22576 | 2/10/1919 | Venti scudi! | Enrico Caruso ; Giuseppe De Luca |
Vocal duet (tenor and baritone), with orchestra |
|
| C-23169 | 9/23/1919 | Quel guardo | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| C-23401 | 10/10/1919 | A tanto amor | Renato Zanelli |
Baritone vocal solo, with orchestra |
|
| B-24745 | 12/18/1920 | Medley of favorite operatic airs | Pietro [i.e., Pietro Deiro] |
Accordion solo |
|
| C-24921 | 1/31/1921 | Spirto gentil | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| C-24959 | 2/24/1921 | O mio Fernando | Gabriella Besanzoni |
Contralto vocal solo, with harp and orchestra |
|
| B-25120 | 3/29/1921 | Overture | Teatro alla Scala Orchestra |
Orchestra |
|
| B-25121 | 3/29/1921 | Overture | Teatro alla Scala Orchestra |
Orchestra |
|
| C-25281 | 4/29/1921 | Sextette from Lucia di Lamermoor | United States Marine Band |
Band |
|
| C-25296 | 5/10/1921 | Vado, corro | Lucrezia Bori ; Giuseppe De Luca |
Vocal duet (soprano and baritone), with orchestra |
|
| C-25297 | 5/10/1921 | Pronta io son | Lucrezia Bori ; Giuseppe De Luca |
Vocal duet (soprano and baritone), with orchestra |
|
| C-26595 | 7/11/1922 | Mad scene, part 2 | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| CVE-26595 | 5/7/1926 | Mad scene, part 2 | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| B-26595 | 9/20/1922 | Mad scene, part 2 | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| C-26889 | 9/22/1922 | O luce di quest'anima | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| B-26890 | 9/22/1922 | Tornami a dir | Amelita Galli-Curci ; Tito Schipa |
Vocal duet (soprano and tenor), with orchestra |
|
| BVE-26890 | 9/6/1928 | Notturno : Tornami a dir | Amelita Galli-Curci ; Tito Schipa |
Vocal duet (soprano and tenor), with orchestra |
|
| B-29219 | 12/26/1923 | Brindisi | Margarete Matzenauer |
Soprano vocal solo, with orchestra |
|
| B-29637 | 3/7/1924 | Vieni la mia vendetta | José Mardones |
Bass vocal solo, with orchestra |
|
| C-29637 | 5/5/1924 | Vieni la mia vendetta | José Mardones |
Bass vocal solo, with orchestra |
|
| C-30902 | 9/12/1924 | Oh, Italia, Italia, beloved! | Trinity Choir |
Mixed vocal chorus, with orchestra |
|
| C-30910 | 9/17/1924 | Verranno a te sull'aure | Amelita Galli-Curci ; Tito Schipa |
Vocal duet (soprano and tenor), with orchestra |
|
| CVE-30910 | 9/7/1928 | Verrano a te sull'aure | Amelita Galli-Curci ; Tito Schipa |
Vocal duet (soprano and tenor), with orchestra |
|
| BVE-32500 | 4/10/1925 | Quanto e bella | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| CVE-32501 | 4/10/1925 | Tombe degl' avi miei | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| CVE-32502 | 4/10/1925 | Tu, che a Dio spiegasti l'ali | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| BVE-33406 | 9/4/1925 | Una vergine! Un angel di Dio | Antonio Cortis |
Tenor vocal solo, with orchestra |
|
| CVE-33940 | 11/24/1925 | Una furtiva lagrima | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| BVE-35180 | 6/4/1926 | Invocazione | A. Mariotti |
Male vocal solo, with piano |
|
| CVE-35822 | 7/23/1926 | Lucia : Sextette | Creatore's Band |
Band |
|
| BVE-35862 | 9/9/1926 | Sogno soave e casto | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| CVE-36742 | 10/28/1926 | Mad scene | Toti Dal Monte |
Soprano vocal solo, with flute and orchestra |
|
| CVE-36743 | 10/28/1926 | Mad scene | Toti Dal Monte |
Soprano vocal solo, with orchestra |
|
| CVE-36744 | 10/28/1926 | Regnava nel silenzio | Toti Dal Monte |
Soprano vocal solo, with orchestra |
|
| CVE-36745 | 10/29/1926 | Convien partir | Toti Dal Monte |
Soprano vocal solo, with orchestra |
|
| BVE-37801 | 2/7/1927 | Brindisi | Jeanne Gordon |
Contralto vocal solo, with orchestra |
|
| BVE-38382 | 5/3/1927 | Una vergine un angiol di Dio | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| CVE-40769 | 12/9/1927 | Lucia di Lammermoor : Sextet | Maria Bakoska |
Female vocal solo, with instrumental ensemble |
|
| CVE-41225 | 12/12/1927 | Giusto cielo! Rispondete | Beniamino Gigli ; Ezio Pinza |
Vocal duet (tenor and bass), with vocal chorus and orchestra |
|
| CVE-41226 | 12/12/1927 | Tu che a Dio spiegasti | Beniamino Gigli ; Ezio Pinza |
Vocal duet (tenor and bass), with male vocal chorus and orchestra |
|
| CVE-41227 | 12/12/1927 | Tombe degl' avi miei | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| CVE-41232 | 12/16/1927 | Lucia : Sextette | Angelo Bada ; Giuseppe De Luca ; Amelita Galli-Curci ; Beniamino Gigli ; Louise Homer ; Ezio Pinza |
Vocal chorus (soprano, contralto, 2 tenors, baritone, and bass), with orchestra |
|
| BVE-41499 | 2/7/1928 | Brindisi | Sigrid Onégin |
Contralto vocal solo, with orchestra |
|
| BVE-43601 | 4/3/1928 | Lucia sestetto | Giovanni Gioviale |
Mandolin solo |
|
| BVE-47430 | 9/6/1928 | Adina credimi | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| CVE-49898 | 3/6/1929 | Spirto gentil | Enrique C. Canada |
Male vocal solo, with piano |
|
| CVE-50907 | 3/4/1929 | O mio Fernando | Sigrid Onégin |
Contralto vocal solo, with orchestra |
|
| BVE-55354 | 8/22/1929 | Rataplan | Bruno Reibold ; Victor Orchestra |
Orchestra |
|
| CVE-58045 | 11/19/1929 | La favorita : Selection | Creatore's Band ; Antonio de Santis |
Band, with cornet solo |
|
| CVE-58048 | 11/19/1929 | La favorita : Selection | Creatore's Band |
Band |
|
| CVE-58123 | 12/19/1929 | Una furtiva lagrima | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| CVE-59745 | 4/9/1930 | Splendon piu belle | Metropolitan Opera Chorus ; Metropolitan Opera Orchestra ; Ezio Pinza ; Giulio Setti |
Bass vocal solo, with mixed vocal chorus and orchestra |
|
| CVE-59807 | 3/12/1930 | Lucia di Lammermoor | Lily Pons |
Soprano vocal solo, with flute obbligato |
|
| S-162 | 3/1907 | Spirito gentil | Amadeo Llauradó |
Tenor vocal solo, with piano |
|
| [Trial 1917-05-16-01] | 5/16/1917 | Spirto gentil | Carlos Mejía |
Male vocal solo, with piano |
|
| [Trial 1928-05-04-01] | 5/4/1928 | Una furtiva lagrima | Allan Jones |
Male vocal solo, with piano |
|
| [Trial 1922-09-26-01] | 9/26/1922 | Sextette from Lucia | Chester Gaylord ; W. A. Gaylord |
Accordion and saxophone duet |
|
| [Trial 1922-04-27-02] | 4/27/1922 | Sextette from Lucia | Jennie Durkee |
Ukulele solo, with piano |
|
| [Trial 1925-08-19-03] | 8/19/1925 | Lucia di Lammermoor : Sextette | Forizel Von Reuter |
Violin solo, unaccompanied |
|
| [Trial 1925-03-31-01] | 3/31/1925 | L'elisir d'amore | Michael Belfatto |
Male vocal solo, with piano |
|
| BVE-Test-440 | 12/11/1929 | Mad scene | Stella Power |
Female vocal solo, with piano |
|
| MELBA 12 | 3/27/1904 | Part of the Mad scene | Nellie Melba |
Soprano vocal solo, with flute obbligato and piano |
|
| 312½z[L] | 1902 | Lucia 'Mad scene' | M. A. Michailova |
Soprano vocal solo, with flute and piano |
|
| 347L | 1902 | The gypsy | Ekaterina Aleksandrovna Orelʹ |
Soprano vocal solo, with piano |
|
| 493½c | 1905 | Fia vero lasciarti | Clotilde Esposito ; Gino Martinez-Patti |
Vocal duet (soprano and tenor), with orchestra |
|
| 503c | 1905 | Quant' e bello | Teresa Arkel |
Soprano vocal solo, with orchestra |
|
| 506c | 1905 | Splendono in ciel | Giuseppe Torres de Luna |
Bass vocal solo, with chorus and orchestra |
|
| 542½c | 1905 | Vien Leonora | Francesco Cigada |
Baritone vocal solo, with orchestra |
|
| 551c | 1905 | Una furtiva lagrima | Emilio Perea |
Tenor vocal solo, with orchestra |
|
| 570c | 1905 | Coro dei servitori | Carlo Sabajno ; Teatro alla Scala Coro |
Chorus, with orchestra |
|
| 605c | 5/1906 | Udite, udite o rustici | Antonio Pini-Corsi |
Baritone vocal solo, with orchestra |
|
| 606c | 5/1906 | Signorina in tanta fretta | Emilia Corsi ; Antonio Pini-Corsi |
Vocal duet (soprano and baritone), with orchestra |
|
| 607aj | 3/8/1913 | Verranno a te | Malvina Pereira ; Salvatore Salvati |
Vocal duet (soprano and tenor), with orchestra |
|
| 609c | 5/1906 | Son nov'ore | Ernesto Badini ; Antonio Pini-Corsi |
Vocal duet (2 baritones), with orchestra |
|
| 610aj | 3/8/1913 | Maledizione : Quartetto | Vincenzo Bettoni ; Franco de Gregorio ; Giuseppe Maggi ; Malvina Pereira |
Vocal quartet (soprano, tenor, baritone, and bass), with orchestra |
|
| 631c | 5/1906 | Quando le soglie | Lina Mileri ; Renzo Minolfi |
Vocal duet (soprano and baritone), with orchestra |
|
| 657c | 5/1906 | Don Pasquale symphonie | Orchestra Milano [i.e., Teatro alla Scala. Orchestra] |
Orchestra |
|
| 718b | 1/1901 | Pour tant d'amour | Maurice Renaud |
Baritone vocal solo, with piano |
|
| 718G[b] | 1901 | Pour tant d'amour | Maurice Renaud |
Baritone vocal solo, with piano |
|
| 891c | 1906 | Favorita finale 2o | Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich |
Vocal quartet (mezzo-soprano, baritone, and bass), with chorus and orchestra |
|
| 892c | 1906 | Favorita finale 2o | Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich |
Vocal quartet (mezzo-soprano, baritone, and bass), with chorus and orchestra |
|
| 904½c | 1906 | O ciel di quest' alma | Giuseppe Acerbi ; Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich |
Vocal quartet (mezzo-soprano, tenor, baritone, and bass), with chorus and orchestra |
|
| 928c | 1906 | Via da brava | Linda Brambilla ; Antonio Pini-Corsi ; Augusto Scipioni |
Vocal trio (soprano, baritone, and bass), with orchestra |
|
| 1189c | Spring, 1907 | D'un guardo, un sorrisetto | Josephina Huguet |
Soprano vocal solo, with orchestra |
|
| 1198c | 1907 | Pronta io son | Ernesto Badini ; Josephina Huguet |
Vocal duet (soprano and baritone), with orchestra |
|
| 2703b | 10/26/1902 | Sextette | Jan Kubelík |
Violin solo, with piano |
|
| 2843b | 11/1902 | Una vergine | Edoardo Garbin |
Tenor vocal solo, with piano |
|
| 2867L | 1905 | Lucia 'Mad scene' | M. A. Michailova |
Soprano vocal solo, with flute obbligato |
|
| 3077f | 5/25/1909 | Regnava nel silenzio | Luisa Tetrazzini |
Soprano vocal solo, with orchestra |
|
| 6984b | 1905 | Cavatina | Amelia Pollini |
Soprano vocal solo, with orchestra |
|
| 7021b | 1905 | A consolarmi affrettati | Alberto Caffo ; Emma Trentini |
Vocal duet (soprano and tenor), with orchestra |
|
| 7056b | 1905 | Quant’ è bella | Emilio Perea |
Tenor vocal solo, with orchestra |
|
| 7070b | 1905 | Pietoso al par d’un nume | Clotilde Esposito ; Gino Martinez-Patti |
Vocal duet (soprano and tenor), with piano |
|
| 7105b | 1905 | Sogno soave e casto | Giuseppe Acerbi |
Tenor vocal solo, with orchestra |
|
| 7135b | 1905 | Rischiarata è la finestra | Teatro alla Scala Coro |
Chorus, with orchestra |
|
| 7329b | 1905 | A tanto amor | Francesco Cigada |
Baritone vocal solo, with orchestra |
|
| 7335b | 1905 | Non sai tu che d'un giusto | Gino Martinez-Patti ; Cesare Preve |
Vocal duet (tenor and bass), with orchestra |
|
| 7560½b | 1905 | Aspetta, aspetta, cara sposina | Gaetano Pini-Corsi ; Giovanni Polese |
Vocal duet (tenor and baritone), with orchestra |
|
| 7566b | 1905 | Bei raggi | Ida Roselli ; Teatro alla Scala Coro |
Soprano vocal solo, with piano and chorus |
|
| 7581b | 1905 | Io son ricco e tu sei bella | Maria Passeri ; Antonio Pini-Corsi |
Vocal duet (soprano and baritone), with chorus and orchestra |
|
| 8004b | 5/1906 | Vieni, la mia vendetta | Giulio Rossi |
Bass vocal solo, with orchestra |
|
| 8037b | 5/1906 | Un fuoco insolito | Ernesto Badini ; Antonio Pini-Corsi |
Vocal duet (2 baritones), with orchestra |
|
| 8099b | 5/1906 | Vado, corro | Ernesto Badini ; Emilia Corsi |
Vocal duet (soprano and baritone), with orchestra |
|
| 9073b | 10/1906 | Splendon piu belle in ciel le stelle | Andrés de Segurola |
Bass vocal solo, with chorus and orchestra |
|
| 9361b | 11/1906 | O sole più rapido | Giuseppe Acerbi ; Renzo Minolfi |
Vocal duet (tenor and baritone), with orchestra |
|
| 9436b | 11/1906 | Ah! Paventa il fuor | Francesco Cigada ; Amelia Codolini ; Aristodemo Sillich |
Vocal trio (mezzo-soprano, baritone, and bass), with chorus and orchestra |
|
| 9446b | 11/1906 | O qual funesto abbrnimento | Aristodemo Sillich |
Bass vocal solo, with chorus and orchestra |
|
| 9525b | 1906 | Orsù, Fernando | Giuseppe Acerbi ; Maria Cappiello ; Francesco Cigada |
Vocal trio (mezzo-soprano, tenor, and baritone), with orchestra |
|
| 9554b | 1906 | E rimasto la impietrato : Cuarteto | Linda Brambilla ; Antonio Pini-Corsi ; Gaetano Pini-Corsi ; Augusto Scipioni |
Vocal quartet (mezzo-soprano, tenor, baritone, and bass), with orchestra |
|
| 10551b | 1907 | Se tradirni tu potrai | Francesco Cigada ; Josephina Huguet |
Vocal duet (soprano and tenor), with orchestra |
|
| 10639b | 6/1907 | Son tradito | Ernesto Badini ; Josephina Huguet ; Antonio Pini-Corsi ; Gaetano Pini-Corsi |
Vocal quartet (soprano, tenor, and 2 baritones), with orchestra |
|
| 10645b | 6/1907 | Regnava nel silenzio | Josephina Huguet |
Soprano vocal solo, with orchestra |
|
| 10646b | 6/1907 | Quando rapita in estasi | Josephina Huguet |
Soprano vocal solo, with orchestra |
|
| 10647b | 6/1907 | O luce di quest’anima | Josephina Huguet |
Soprano vocal solo, with orchestra |
|
| 16564u | 7/11/1911 | Un ange, une femme inconnue | Léon Campagnola |
Tenor vocal solo, with orchestra |
|
| 16608u | 7/13/1911 | Ange si pur | Léon Campagnola |
Tenor vocal solo, with orchestra |
|
| 2EA-8402 | 11/9/1939 | Una furtiva lagrima | Enrico Caruso |
Tenor vocal solo, with piano |
