Harry Von Tilzer (composer)
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix A-]37 | 5/23/1900 | Parody on "I"d leave my happy home for you" | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix A-]160 | 7/20/1900 | I'd leave my happy home for you | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix B-]160 | 9/19/1902 | I'd leave my happy home for you | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix B-]652 | 4/8/1901 | When the harvest days are over | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]652 | 2/6/1901 | When the harvest days are over | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]714 | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix B-]714 | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix A-]767 | 5/2/1901 | Where the sweet magnolias bloom | Harry Macdonough ; Addison Dashiell Madeira |
Male vocal duet |
|
| [Pre-matrix A-]869 | 6/12/1901 | The spider and the fly | Steve Porter |
Male vocal solo |
|
| [Pre-matrix B-]869 | 6/12/1901 | The spider and the fly | Steve Porter |
Male vocal solo |
|
| [Pre-matrix A-]927 | 7/18/1901 | Marching to the music of the band | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]927 | 10/30/1902 | Marching to the music of the band | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix A-]993 | 10/11/1901 | Where was Moses when the lights went out? | Bert Williams |
Male vocal solo, with piano |
|
| [Pre-matrix B-]993 | 10/11/1901 | Where was Moses when the light went out? | Bert Williams |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1087 | 11/9/1901 | First comes your duty to your flag | S. H. Dudley |
Male vocal solo, with bugle calls |
|
| [Pre-matrix C-]1087 | 6/11/1902 | First Comes Your Duty to Your Flag | S. H. Dudley |
Male vocal solo, with bugle calls |
|
| [Pre-matrix A-]1087 | 11/9/1901 | First comes your duty to your flag | S. H. Dudley |
Male vocal solo, with bugle calls |
|
| [Pre-matrix B-]1123 | 12/3/1901 | My lady Hottentot | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix C-]1123 | 7/3/1902 | My lady Hottentot | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix A-]1123 | 12/3/1901 | My lady Hottentot | Silas Leachman |
Male vocal solo |
|
| [Pre-matrix B-]1298 | 3/5/1902 | Whoa, Bill! | Arthur Collins ; Joseph Natus |
Male vocal duet, with piano |
|
| [Pre-matrix A-]1298 | 3/5/1902 | Whoa, Bill! | Arthur Collins ; Joseph Natus |
Male vocal duet, with piano |
|
| [Pre-matrix B-]1314 | 3/12/1902 | When the harvest days are over | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix C-]1314 | 5/28/1902 | When the harvest days are over | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix A-]1314 | 3/12/1902 | When the harvest days are over | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix B-]1357 | 4/9/1902 | On a Sunday afternoon | Edward M. Favor |
Male vocal solo |
|
| [Pre-matrix A-]1357 | 4/9/1902 | On a Sunday afternoon | Edward M. Favor |
Male vocal solo |
|
| [Pre-matrix B-]1390 | 5/16/1902 | You couldn't hardly notice it at all | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix A-]1390 | 5/16/1902 | You couldn't hardly notice it at all | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix C-]1390 | 5/16/1902 | You couldn't hardly notice it at all | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix B-]1391 | 5/17/1902 | On a Sunday afternoon | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1391 | 5/17/1902 | On a Sunday afternoon | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1395 | 5/17/1902 | Jennie Lee | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]1395 | 5/17/1902 | Jennie Lee | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]1415 | 5/28/1902 | The mansion of aching hearts | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1415 | 5/28/1902 | The mansion of aching hearts | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]1433 | 6/18/1902 | Popular melodies | Sousa's Band |
Band |
|
| [Pre-matrix B-]1433 | 6/18/1902 | Popular melodies | Sousa's Band |
Band |
|
| [Pre-matrix C-]1433 | 6/18/1902 | Popular melodies | Sousa's Band |
Band |
|
| [Pre-matrix C-]1471 | 7/10/1902 | I want to be an actor lady | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix A-]1471 | 7/11/1902 | I want to be an actor lady | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]1471 | 7/11/1902 | I want to be an actor lady | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]1621 | 9/10/1902 | Down where the cotton blossoms grow | Harry Macdonough |
Male vocal solo, with piano |
|
| [Pre-matrix A-]1621 | 9/10/1902 | Down where the cotton blossoms grow | Harry Macdonough |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1629 | 9/18/1902 | I just can't help from loving that man | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix A-]1629 | 9/18/1902 | I just can't help from loving that man | Arthur Collins |
Male vocal solo |
|
| [Pre-matrix A-]1635 | 9/19/1902 | Down where the Wurzburger flows | Arthur Collins |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1635 | 9/19/1902 | Down where the Wurzburger flows | Arthur Collins |
Male vocal solo, with piano |
|
| [Pre-matrix B-]1665 | 10/8/1902 | Whoa Bill | Vess L. Ossman |
Banjo solo |
|
| [Pre-matrix A-]1665 | 10/8/1902 | Whoa Bill | Vess L. Ossman |
Banjo solo |
|
| [Pre-matrix B-]1767 | 11/14/1902 | Whoa! Bill! | Clarke's Band of Providence |
Band |
|
| [Pre-matrix A-]1767 | 11/14/1902 | Whoa! Bill! | Clarke's Band of Providence |
Band |
|
| [Pre-matrix B-]1855 | 1/9/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough |
Male vocal duet |
|
| [Pre-matrix A-]1855 | 1/9/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough |
Male vocal duet |
|
| [Pre-matrix B-]1901 | 1/16/1902 | I want to be an actor lady | Len Spencer |
Male vocal solo |
|
| [Pre-matrix A-]1901 | 1/16/1903 | I want to be an actor lady | Len Spencer |
Male vocal solo |
|
| [Pre-matrix B-]1983 | 2/19/1903 | Ephasafa Dill | Edward M. Favor |
Male vocal solo |
|
| [Pre-matrix A-]1983 | 2/19/1903 | Ephasafa Dill | Edward M. Favor |
Male vocal solo |
|
| [Pre-matrix B-]2075 | 3/17/1903 | On a Sunday afternoon | Jules Levy |
Cornet solo |
|
| [Pre-matrix A-]2075 | 3/17/1903 | On a Sunday afternoon | Jules Levy |
Cornet solo |
|
| [Pre-matrix B-]2099 | 3/20/1903 | Meet me when the sun goes down | W. H. Thompson |
Male vocal solo |
|
| [Pre-matrix A-]2099 | 3/20/1903 | Meet me when the sun goes down | W. H. Thompson |
Male vocal solo |
|
| [Pre-matrix B-]2195 | 12/8/1903 | My little Coney Isle | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix A-]2195 | 12/8/1903 | My little Coney Isle | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]3079 | 2/6/1901 | When the harvest days are over | Harry Macdonough |
Male vocal solo |
|
| [Pre-matrix B-]3106 | 2/15/1901 | I'd leave my happy home for you | George P. Watson |
Male vocal solo (yodeling) |
|
| [Pre-matrix B-]3149 | 2/27/1901 | I ain't agoin' to weep no more | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]3151 | 2/27/1901 | My Jersey lily | Dan W. Quinn |
Male vocal solo |
|
| [Pre-matrix B-]3176 | 3/5/1901 | Oh! Oh! Miss Phoebe | S. H. Dudley |
Male vocal solo |
|
| [Pre-matrix B-]3180 | 3/6/1901 | When the harvest days are over | Haydn Quartet |
Male vocal quartet |
|
| [Pre-matrix B-]3311 | 5/2/1901 | Where the sweet magnolias bloom | Harry Macdonough ; Addison Dashiell Madeira |
Male vocal duet |
|
| [Pre-matrix B-]3471 | 6/12/1901 | The spider and the fly | Steve Porter |
Male vocal solo |
|
| [Pre-matrix B-]3529 | 7/18/1901 | Marching to the music of the band | Dan W. Quinn |
Male vocal solo |
|
| B-174 | 6/30/1903 | When Kate and I were coming thro' the rye | James Doyle |
Male vocal solo |
|
| A-212 | 7/29/1903 | Whoa Bill! | Clarke's Band of Providence |
Band |
|
| B-212 | 7/29/1903 | Whoa Bill! | Clarke's Band of Providence |
Band |
|
| A-224 | 8/3/1903 | When Kate and I were coming thro' the rye | Harry Macdonough |
Male vocal solo, with piano |
|
| B-224 | 8/3/1903 | When Kate and I were coming thro' the rye | Harry Macdonough |
Male vocal solo, with piano |
|
| B-225 | 8/3/1903 | When the harvest days are over | Harry Macdonough |
Male vocal solo, with piano |
|
| A-225 | 5/24/1904 | When the harvest days are over | Harry Macdonough |
Male vocal solo, with piano |
|
| C-285 [Old series] | 2/9/1903 or 5/26/1903 | Iffa Saffa Dill | Kilties' Band of Canada |
Band |
|
| B-404 | 9/9/1903 | Down on the farm | Haydn Quartet |
Male vocal quartet, with orchestra |
|
| A-404 | 9/9/1903 | Down on the farm | Haydn Quartet |
Male vocal quartet |
|
| B-406 | 9/9/1903 | Down where the Swanee River flows | Franklyn Wallace |
Male vocal solo |
|
| A-461 | 9/29/1903 | Wouldn't that make you hungry | Billy Murray |
Male vocal solo, with piano |
|
| B-461 | 9/29/1903 | Wouldn't that make you hungry | Billy Murray |
Male vocal solo, with piano |
|
| B-471 | 10/1/1903 | Wouldn't that make you hungry | Bob Roberts |
Male vocal solo, with piano |
|
| A-471 | 10/1/1903 | Wouldn't that make you hungry | Bob Roberts |
Male vocal solo, with piano |
|
| A-495 | 10/6/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough |
Male vocal duet, with piano |
|
| B-495 | 10/6/1903 | In the sweet bye and bye | John H. Bieling ; Harry Macdonough |
Male vocal duet, with piano |
|
| A-561 | 10/14/1903 | The mansion of aching hearts | Harry Macdonough |
Male vocal solo |
|
| B-561 | 10/14/1903 | The mansion of aching hearts | Harry Macdonough |
Male vocal solo |
|
| A-594 | 10/26/1903 | Goodbye, Eliza Jane | Arthur Collins |
Male vocal solo, with piano |
|
| B-594 | 10/26/1903 | Goodbye, Eliza Jane | Arthur Collins |
Male vocal solo, with piano |
|
| A-596 | 10/26/1903 | Down where the Wurzburger flows | Arthur Collins |
Male vocal solo |
|
| A-614 | 10/28/1903 | It's a lovely day for a walk | Corinne Morgan ; Frank C. Stanley |
Female-male vocal duet, with orchestra |
|
| B-614 | 10/28/1903 | It's a lovely day for a walk | Corinne Morgan ; Frank C. Stanley |
Female-male vocal duet, with orchestra |
|
| A-632 | 11/5/1903 | Keep off the grass | Vess L. Ossman |
Banjo solo, with piano |
|
| B-632 | 11/5/1903 | Keep off the grass | Vess L. Ossman |
Banjo solo, with piano |
|
| C-632 | 11/5/1903 | Keep off the grass | Vess L. Ossman |
Banjo solo, with piano |
|
| A-633 | 11/5/1903 | Banjo 'Lize | Vess L. Ossman ; Len Spencer |
Male vocal solo, with banjo |
|
| B-633 | 11/5/1903 | Banjo 'Lize | Vess L. Ossman ; Len Spencer |
Male vocal solo, with banjo |
|
| A-733 | 11/20/1903 | When the harvest days are over | Haydn Quartet |
Male vocal quartet, with piano |
|
| B-733 | 11/20/1903 | When the harvest days are over | Haydn Quartet |
Male vocal quartet, with piano |
|
| B-752 | 11/30/1903 | Meet me when the sun goes down | W. H. Thompson |
Male vocal solo |
|
| B-795 | 12/8/1903 | My little Coney Isle | Harry Macdonough |
Male vocal solo, with orchestra |
|
| A-887 | 1/7/1904 | It must be lovely to be on the stage | Billy Murray |
Male vocal solo, with piano |
|
| B-887 | 1/7/1904 | Isn't it lovely to be on the stage | Billy Murray |
Male vocal solo, with piano |
|
| A-888 | 1/7/1904 | Under the Anheuser bush | Billy Murray |
Male vocal solo, with piano |
|
| B-888 | 1/7/1904 | Under the Anheuser bush | Billy Murray |
Male vocal solo, with piano |
|
| A-890 | 1/7/1904 | Goodbye, Eliza Jane | Billy Murray |
Male vocal solo, with piano |
|
| A-891 | 1/11/1904 | Hannah | Bob Roberts |
Male vocal solo, with piano |
|
| B-891 | 1/11/1904 | Hannah | Bob Roberts |
Male vocal solo, with piano |
|
| A-1015 | 2/3/1904 | Under the Anheuser bush | Collins and Harlan |
Male vocal duet, with piano |
|
| B-1015 | 2/3/1904 | Under the Anheuser bush | Collins and Harlan |
Male vocal duet, with piano |
|
| C-1061 | 3/2/1904 | Wouldn't it make you hungry? | Bob Roberts |
Male vocal solo, with orchestra |
|
| A-1061 | 3/2/1904 | Wouldn't it make you hungry? | Bob Roberts |
Male vocal solo, with orchestra |
|
| B-1061 | 3/2/1904 | Wouldn't it make you hungry? | Bob Roberts |
Male vocal solo, with orchestra |
|
| A-1065 | 3/2/1904 | Hannah, won't you open the door | Dan W. Quinn |
Male vocal solo, with orchestra |
|
| B-1065 | 3/2/1904 | Hannah, won't you open the door | Dan W. Quinn |
Male vocal solo, with orchestra |
|
| A-1080 | 3/7/1904 | Under the Anheuser bush | Billy Murray |
Male vocal solo, with orchestra |
|
| B-1080 | 3/7/1904 | Under the Anheuser bush | Billy Murray |
Male vocal solo, with orchestra |
|
| B-1169 | 3/29/1904 | On a Sunday afternoon | Harry Macdonough |
Male vocal solo, with piano |
|
| A-1341 | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts |
Male vocal solo, with piano |
|
| B-1341 | 5/23/1904 | Good bye, Eliza Jane | Bob Roberts |
Male vocal solo, with piano |
|
| B-1412 | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts |
Male vocal solo, with orchestra |
|
| A-1412 | 5/23/1904 | Goodbye, Eliza Jane | Bob Roberts |
Male vocal solo, with orchestra |
|
| A-1493 | 6/20/1904 | Alexander | Bob Roberts |
Male vocal solo, with piano |
|
| B-1493 | 6/20/1904 | Alexander | Bob Roberts |
Male vocal solo, with piano |
|
| A-1626 | 7/20/1904 | All aboard for Dreamland | Harry Tally |
Male vocal solo, with piano |
|
| B-1626 | 7/20/1904 | All aboard for Dreamland | Harry Tally |
Male vocal solo, with piano |
|
| B-1752 | 10/11/1904 | Down at the baby store | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-1891 | 11/3/1904 | Down where the sweet potatoes grow | Collins and Harlan |
Male vocal duet, with orchestra |
|
| C-1893 | 11/3/1904 | Louisa Schmidt | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-1893 | 11/3/1904 | Louisa Schmidt | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-1959 | 11/22/1904 | Coax me | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-1961 | 11/22/1904 | Abraham | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-1962 | 11/22/1904 | Kalamazoo is no place for you | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-1964 | 11/22/1904 | A sail on the tail of a whale | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-2097 | 12/28/1904 | When the frost is on the pumpkin | Harry Macdonough |
Male vocal solo |
|
| B-2154 | 1/18/1905 | Have you seen Maggie Riley? | Billy Murray |
Male vocal solo, with orchestra |
|
| B-2177 | 1/21/1905 | Whoa Bill! | Collins and Harlan |
Male vocal duet |
|
| B-2433 | 3/31/1905 | Just across the bridge of gold | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-2517 | 5/3/1905 | Just across the bridge of gold | Ada Jones |
Female vocal solo, with orchestra |
|
| B-2572 | 5/22/1905 | Under the Anheuser bush | Collins and Harlan |
Male vocal duet, with orchestra |
|
| E-2572 | 1/15/1907 | Under the Anheuser bush | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-2644 | 6/16/1905 | Coax me | Sousa's Band |
Band, with trombone solo |
|
| B-2672 | 6/26/1905 | What are you going to do when the rent comes 'round? | Arthur Collins |
Male vocal solo, with orchestra |
|
| C-2673 | 6/27/1905 | Making eyes | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-2758 | 9/19/1905 | Wait 'till the sun shines, Nellie | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-2760 | 9/19/1905 | On the banks of the Rhine with a stein | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-2882 | 11/14/1905 | I'm the only star that twinkles on Broadway | Ada Jones |
Female vocal solo, with orchestra |
|
| B-2928 | 12/7/1905 | Wait till the sun shines, Nellie | Harry Tally |
Male vocal solo, with orchestra |
|
| B-3039 | 1/25/1906 | Moving day | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-3040 | 1/25/1906 | Where the morning glories twine around the door | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-3795 | 9/17/1906 | Abraham Jefferson Washington Lee | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-3798 | 9/17/1906 | In the evening by the moonlight, dear Louise | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-3799 | 9/17/1906 | The songs of the ragtime boy | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-3804 | 9/17/1906 | Would you leave your happy home for me? | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-3818 | 9/19/1906 | In the evening by the moonlight, dear Louise | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-3947 | 10/31/1906 | When the flowers bloom in springtime, Molly dear | Haydn Quartet |
Male vocal quartet, with orchestra |
|
| E-4139 | 12/13/1906 | Ida-ho | Billy Murray |
Male vocal solo, with orchestra |
|
| B-4715 | 7/26/1907 | Bye bye, dearie | Harry Tally |
Male vocal solo, with orchestra |
|
| B-4716 | 7/26/1907 | Sacramento | Harry Tally |
Male vocal solo, with orchestra |
|
| E-4718 | 7/26/1907 | Take me back to New York town | Harry Tally |
Male vocal solo, with orchestra |
|
| B-4721 | 7/29/1907 | Oh, oh, Miss Lucy Ella | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-4724 | 7/29/1907 | Just help yourself | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-4736 | 8/1/1907 | Mariuccia danca da-hootch-a-ma-kootch | Ed Morton |
Male vocal solo, with orchestra |
|
| B-4973 | 12/18/1907 | I got to see the minstrel show | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-6090 | 4/9/1908 | Summertime | Haydn Quartet |
Male vocal quartet, with orchestra |
|
| B-6298 | 7/13/1908 | Don't take me home | Ed Morton |
Male vocal solo, with orchestra |
|
| B-6304 | 7/13/1908 | When Highland Mary did the highland fling | Billy Murray |
Male vocal solo, with orchestra |
|
| B-6455 | 9/24/1908 | Mary Ann O'Houlihan | Billy Murray |
Male vocal solo, with orchestra |
|
| B-6662 | 12/11/1908 | Schooners that pass in the night | Haydn Quartet ; Billy Murray |
Male vocal solo and male vocal quartet, with orchestra |
|
| B-6766 | 2/2/1909 | When the harvest days are over | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-6869 | 3/9/1909 | Just one sweet girl | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-6978 | 4/9/1909 | I remember you | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-6998 | 4/23/1909 | In Ireland | Ed Morton |
Male vocal solo, with orchestra |
|
| B-7017 | 4/28/1909 | Sometime | Harry Macdonough |
Male vocal solo, with orchestra |
|
| B-7074 | 5/13/1909 | I love my wife, but oh, you kid! | Billy Murray |
Male vocal solo, with orchestra |
|
| B-8091 | 7/6/1909 | The girl I left before I left the girl I left behind me | Ed Morton |
Male vocal solo, with orchestra |
|
| B-8573 | 1/21/1910 | The Cubanola glide | Billy Murray |
Male vocal solo, with orchestra |
|
| B-8579 | 1/27/1910 | Cubanola glide | Victor Orchestra |
Orchestra |
|
| C-8647 | 2/18/1910 | La Cubanola glide | Arthur Pryor's Band |
Band |
|
| B-9310 | 7/11/1910 | Nora Malone | Blanche Ring |
Female vocal solo, with orchestra |
|
| B-9783 | 1/11/1911 | When Mariola do the Cubanola | Billy Murray |
Male vocal solo, with orchestra |
|
| B-9784 | 1/11/1911 | Gallagher | Billy Murray |
Male vocal solo, with orchestra |
|
| B-9794 | 1/12/1911 | I'll lend you everything I've got except my wife | Arthur Collins |
Male vocal solo, with orchestra |
|
| B-9796 | 1/12/1911 | Under the yum-yum tree | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-9945 | 2/10/1911 | I love it | American Quartet |
Male vocal quartet, with orchestra |
|
| B-10008 | 2/28/1911 | All aboard for Blanket Bay | Ada Jones |
Female vocal solo, with orchestra |
|
| B-10171 | 4/11/1911 | All alone | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-10225 | 4/25/1911 | All aboard for Blanket Bay | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-10369 | 5/23/1911 | Missouri Joe | Arthur Collins |
Male vocal solo |
|
| B-10545 | 6/16/1911 | The baseball glide | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-10822 | 7/21/1911 | I want a girl just like the girl that married dear old Dad | Walter Van Brunt |
Male vocal solo, with orchestra |
|
| B-10839 | 7/27/1911 | I want a girl just like the girl that married dear old Dad | American Quartet |
Male vocal quartet |
|
| B-11126 | 10/23/1911 | They always pick on me | Ada Jones |
Female vocal solo, with orchestra |
|
| B-11145 | 10/23/1911 | Knock wood | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-11523 | 1/29/1912 | Don't leave me now | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-11730 | 3/15/1912 | The villain song | Al Jolson |
Male vocal solo, with orchestra |
|
| B-11732 | 3/15/1912 | Snap your fingers | Al Jolson |
Male vocal solo, with orchestra |
|
| B-12141 | 6/24/1912 | Somebody else is gettin' it | Ed Morton |
Male vocal solo, with orchestra |
|
| B-12142 | 6/24/1912 | Waiting for me | Ed Morton |
Male vocal solo, with orchestra |
|
| B-12780 | 1/9/1913 | Row, row, row medley | Victor Military Band |
Band |
|
| B-13002 | 3/18/1913 | Last night was the end of the world | Henry Burr |
Male vocal solo |
|
| B-13040 | 3/31/1913 | Good-bye boys | Billy Murray |
Male vocal solo, with orchestra |
|
| B-13110 | 4/11/1913 | And the green grass grew all around | American Quartet |
Male vocal quartet, with orchestra |
|
| B-13210 | 4/29/1913 | Last night was the end of the world | Victor Band |
Band |
|
| B-13309 | 5/14/1913 | I'd do as much for you | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-13558 | 7/10/1913 | Love me while the lovin' is good | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-13641 | 7/28/1913 | A little bunch of shamrocks (I am holding in my hand) | Arthur C. Clough |
Male vocal solo, with orchestra |
|
| B-13672 | 8/6/1913 | Swing, swing, swing | Billy Murray |
Male vocal solo, with orchestra |
|
| B-13673 | 8/6/1913 | On the old Fall River line | Billy Murray |
Male vocal solo, with orchestra |
|
| C-13945 | 10/9/1913 | On the old Fall River line | Victor Military Band |
Band |
|
| B-14324 | 1/14/1914 | Don't stop | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-14400 | 1/29/1914 | The song that stole my heart | Henry Burr |
Male vocal solo, with orchestra |
|
| B-14457 | 2/13/1914 | Do you take this woman for your lawful wife? | American Quartet |
Male vocal quartet, with orchestra |
|
| B-14635 | 3/26/1914 | That's a real moving picture from life | Billy Watkins |
Male vocal solo, with orchestra |
|
| B-14722 | 4/17/1914 | Hands off! | Irving Kaufman |
Male vocal solo, with orchestra |
|
| B-15450 | 12/2/1914 | They all had a finger in the pie | American Quartet |
Male vocal quartet, with orchestra |
|
| B-15452 | 12/2/1914 | I knew him when he was all right | American Quartet |
Male vocal quartet, with orchestra |
|
| B-15589 | 1/13/1915 | Somebody knows | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-15624 | 1/25/1915 | When my ship comes in | Henry Burr ; Albert Campbell |
Male vocal duet, with orchestra |
|
| B-15864 | 4/7/1915 | I'm proud to be the mother of a boy like you | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| C-15999 | 5/6/1915 | The Harry von Tilzer popular medley | Victor Military Band |
Band |
|
| B-16005 | 5/7/1915 | I wonder who wished her on me | Billy Murray |
Male vocal solo, with orchestra |
|
| C-16173 | 7/2/1915 | Songs of the past, no. 3 | Victor Mixed Chorus |
Vocal chorus and soloists, with orchestra |
|
| CVE-16173 | 1/13/1927 | Songs of the past, no. 3 | Victor Mixed Chorus |
Vocal chorus and soloists, with orchestra |
|
| B-16345 | 8/11/1915 | You'll always be the same sweet girl | James F. Harrison [i.e., Frederick Wheeler] ; James Reed [i.e., Reed Miller] |
Male vocal duet, with orchestra |
|
| B-16717 | 10/25/1915 | Alagazam (To the music of the band) | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-16902 | 12/15/1915 | Dear old fashioned Irish songs my mother sang to me | Irving Kaufman ; Billy Murray |
Male vocal duet, with orchestra |
|
| B-16915 | 12/17/1915 | Hello! Boys, I'm back again | Dan W. Quinn |
Male vocal solo, with orchestra |
|
| B-16953 | 12/31/1915 | The ghost of the terrible blues | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-17014 | 1/17/1916 | It's a hundred-to-one you're in love | Dan W. Quinn |
Male vocal solo, with orchestra |
|
| B-17093 | 1/31/1916 | On the Hoko Moko isle | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-17206 | 2/24/1916 | Tell me some more | Marie Cahill |
Female vocal solo, with orchestra |
|
| B-17425 | 4/3/1916 | Keep off the grass | Vess L. Ossman |
Banjo solo, with orchestra |
|
| C-17476 | 4/11/1916 | Songs of the past, no. 12 | Victor Mixed Chorus |
Vocal chorus and soloists, with orchestra |
|
| C-17491 | 4/13/1916 | Harry von Tilzer medley, no. 2 | Victor Military Band |
Band |
|
| B-17708 | 5/18/1916 | There's someone more lonesome than you | James F. Harrison [i.e., Frederick Wheeler] ; James Reed [i.e., Reed Miller] |
Male vocal duet, with orchestra |
|
| B-17767 | 5/31/1916 | I sent my wife to the Thousand Isles | Billy Murray |
Male vocal solo, with orchestra |
|
| B-17979 | 7/13/1916 | On the South Sea isle | Sterling Trio |
Male vocal trio, with orchestra and guitars |
|
| B-18012 | 6/22/1916 | When Priscilla tries to reach high C | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-18130 | 7/18/1916 | When Uncle Sammy leads the band | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-18131 | 7/19/1916 | Honest Injun | Collins and Harlan |
Male vocal duet, with orchestra |
|
| B-18187 | 8/7/1916 | Sweet Babette she always did the minuet | Marguerite Farrell |
Female vocal solo, with orchestra |
|
| B-18308 | 8/11/1916 | You were just made to order for me | Henry Burr ; Albert Campbell |
Male vocal duet, with orchestra |
|
| B-18551 | 10/16/1916 | Tho' I had a bit o' the divil in me | James Reed [i.e., Reed Miller] |
Male vocal solo, with bells and orchestra |
|
| B-18704 | 11/13/1916 | If it wasn't for you | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-18770 | 12/4/1916 | With his hands in his pockets and his pockets in his pants | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-18788 | 12/13/1916 | Don't slam that door | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| B-18943 | 12/28/1916 | On the Sandwich Isles | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-18945 | 12/28/1916 | Yukaloo | Sterling Trio |
Male vocal trio, with orchestra |
|
| B-18986 | 1/15/1917 | Just the kind of a girl (you'd love to make your wife) | Billy Murray |
Male vocal solo, with orchestra |
|
| B-18988 | 1/15/1917 | Somewhere in Dixie | James F. Harrison [i.e., Frederick Wheeler] ; James Reed [i.e., Reed Miller] |
Male vocal duet, with orchestra |
|
| B-18989 | 1/15/1917 | Love will find the way | Reed Miller |
Male vocal solo, with orchestra |
|
| C-19852 | 5/15/1917 | Medley of old songs | Victor Light Opera Company |
Vocal chorus and soloists, with orchestra |
|
| B-20003 | 5/29/1917 | The man behind the hammer and the plow | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-20032 | 6/12/1917 | I'm a twelve o'clock fellow (in a nine o'clock town) | Byron G. Harlan |
Male vocal solo, with orchestra |
|
| B-20228 | 7/18/1917 | Says I to myself, says I | Marguerite Farrell |
Female vocal solo, with orchestra |
|
| B-20229 | 7/18/1917 | Wonderful girl, goodnight | Marguerite Farrell |
Female vocal solo, with orchestra |
|
| C-20364 | 7/5/1917 | Wonderful girl, goodnight | Conway's Band |
Band |
|
| B-20439 | 7/24/1917 | Just as your mother was | Henry Burr |
Male vocal solo, with orchestra |
|
| B-20887 | 10/22/1917 | Down where the sweet potatoes grow | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-21008 | 10/26/1917 | Bring back the Kaiser to me | American Quartet |
Male vocal quartet, with orchestra |
|
| B-22443 | 12/2/1918 | Can you tame wild wimmen? | Billy Murray |
Male vocal solo, with orchestra |
|
| B-22521 | 1/9/1919 | Somebody's waiting for someone | Charles Hart |
Male vocal solo, with violin and orchestra |
|
| B-22573 | 2/7/1919 | Dreams | Vernon Dalhart |
Male vocal solo, with bells and orchestra |
|
| B-22622 | 3/12/1919 | Somebody's waiting for someone | Peerless Quartet |
Male vocal quartet, with violin and orchestra |
|
| B-22713 | 3/13/1919 | Keep off the grass | Fred Van Eps |
Banjo solo, with piano |
|
| B-23019 | 6/19/1919 | I ain't 'en got 'en no time to have the blues | Billy Murray ; Ed Smalle |
Male vocal duet, with orchestra |
|
| B-23136 | 9/5/1919 | Whoa January (you're going to be worse than July) | Billy Murray |
Male vocal solo, with orchestra |
|
| B-23572 | 1/12/1920 | When the harvest moon is shining | Charles Hart ; Lewis James |
Male vocal duet, with violin and orchestra |
|
| B-23598 | 1/22/1920 | He went in like a lion and came out like a lamb | Billy Murray |
Male vocal solo, with orchestra |
|
| B-23913 | 4/7/1920 | That old Irish mother of mine | Sterling Trio |
Male vocal trio, with harp and orchestra |
|
| B-24345 | 7/21/1920 | I've got the A-B-C-D blues | Billy Murray ; Ed Smalle |
Male vocal duet, with bells and orchestra |
|
| B-24485 | 9/20/1920 | Chili bean | Roy Bargy ; Benson Orchestra of Chicago |
Jazz/dance band |
|
| B-25103 | 3/17/1921 | Somebody's mother | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-25344 | 6/13/1921 | Irish home sweet home | Billy Murray ; Monroe Silver |
Male vocal duet, with orchestra |
|
| B-25345 | 6/14/1921 | Ain't you coming out Malinda? | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-25525 | 8/19/1921 | Humpty Dumpty | Billy Murray ; Ed Smalle |
Male vocal duet, with orchestra |
|
| B-25772 | 11/22/1921 | Happy Hottentot | Isabelle Patricola |
Female vocal solo, with orchestra |
|
| B-25776 | 11/22/1921 | You're a good old car (but you can't climb hills) | Isabelle Patricola |
Female vocal solo, with orchestra |
|
| B-25909 | 12/20/1921 | Mammy Lou | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-25921 | 12/23/1921 | Down in midnight town | American Quartet |
Male vocal quartet, with orchestra |
|
| B-26132 | 2/23/1922 | Those days are over | Henry Burr ; Albert Campbell |
Male vocal duet, with harp, bassoon, and orchestra |
|
| B-27049 | 10/24/1922 | A picture without a frame | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-27756 | 4/13/1923 | Old King Tut | Isabelle Patricola |
Female vocal solo, with orchestra |
|
| B-28486 | 9/18/1923 | Dear old lady | Sterling Trio |
Male vocal trio, with orchestra |
|
| B-28583 | 9/21/1923 | Songs of yesterday | The Manhattan Merrymakers |
Jazz/dance band |
|
| B-29216 | 12/24/1923 | My old New Hampshire home | Peerless Quartet |
Male vocal quartet, with orchestra |
|
| B-29245 | 1/2/1924 | The green grass grew all around | American Quartet |
Male vocal quartet, with orchestra |
|
| B-29766 | 4/3/1924 | The little wooden whistle wouldn't whistle | Nelson Maples ; S.S. Leviathan Orchestra |
Jazz/dance band, with male vocal solo |
|
| B-31112 | 10/22/1924 | Oh, you can't fool an old hoss fly | Billy Murray ; Ed Smalle |
Male vocal duet, with orchestra |
|
| B-31500 | 12/10/1924 | Curiosa | Vess Ossman, Jr. ; Rex Schepp |
Banjo duet, with piano |
|
| BVE-33662 | 1/8/1926 | Just around the corner (may be sunshine for you) | Art Landry Orchestra |
Jazz/dance band |
|
| BVE-34290 | 1/21/1926 | Just around the corner | Shannon Quartet |
Male vocal quartet, with orchestra |
|
| BVE-34615 | 2/12/1926 | Just around the corner | The Revelers |
Male vocal quartet, with piano |
|
| BVE-36169 | 9/9/1926 | A bird in a gilded cage | Maurice J. Gunsky |
Male vocal solo, with instrumental quartet |
|
| BVE-37900 | 2/16/1927 | When the flowers bloom in springtime | Richard Brooks ; Ruben Puckett |
Male vocal duet, with violin and guitar |
|
| BVE-40049 | 9/29/1927 | That old Irish mother of mine | Colin O'More |
Male vocal solo, with orchestra |
|
| BVE-41964 | 2/24/1928 | When the flowers bloom in the springtime | C. W. Davis |
Male vocal solo, with violin and guitar |
|
| BVE-53932 | 7/18/1929 | Down where the cotton blossoms grow | Frank McCravy ; James McCravy |
Male vocal duet, with instrumental ensemble |
|
| BVE-55580 | 9/24/1929 | Where the sweet magnolias bloom | Taylor-Griggs Louisiana Melody Makers |
Vocal and instrumental ensemble |
|
| [Trial 1914-02-18-02] | 2/18/1914 | Last night was the end of the world | Oscar A. Cox |
Male vocal solo, with piano |
