Gioacchino Rossini (composer)

Gioacchino Rossini as pictured in a Victor catalog
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix A-]138 | 7/14/1900 | Semiramide overture | Voss First Regiment Band |
Band |
|
| [Pre-matrix A-]321 | 10/5/1900 | Finale to Overture | Sousa's Band |
Band |
|
| [Pre-matrix B-]321 | 1/4/1902 | Finale to Overture | Sousa's Band |
Band |
|
| [Pre-matrix C-]321 | 6/19/1902 | Finale to Overture | Sousa's Band |
Band |
|
| [Pre-matrix A-]359 | 10/4/1900 | Semiramide : Overture | Sousa's Band |
Band |
|
| [Pre-matrix B-]359 | 1/6/1902 | Semiramide : Overture | Sousa's Band |
Band |
|
| [Pre-matrix A-]456 | 10/26/1900 | Pastorale | Frank Badollet ; Jean Moeremans |
Flute and saxophone duet |
|
| [Pre-matrix A-]481 | 10/30/1900 | Una voce poco fa | Rosalia Chalia |
Soprano vocal solo, with piano |
|
| [Pre-matrix A-]497 | 11/9/1900 | Inflammatus | Herbert L. Clarke |
Cornet solo |
|
| [Pre-matrix A-]554 | 12/4/1900 | Quis est homo | Rosalia Chalia ; Jane Frankel |
Vocal duet (soprano and contralto) |
|
| [Pre-matrix A-]1293 | 2/27/1902 | Overture—Finale | Vess L. Ossman |
Banjo solo, with piano |
|
| [Pre-matrix B-]1293 | 2/27/1902 | Overture—Finale | Vess L. Ossman |
Banjo solo, with piano |
|
| [Pre-matrix A-]1442 | 6/21/1902 | William Tell : Ballet music | Sousa's Band |
Band |
|
| [Pre-matrix B-]1442 | 6/21/1902 | William Tell : Ballet music | Sousa's Band |
Band |
|
| [Pre-matrix B-]1752 | 11/13/1902 | Barber of Seville selection | Clarke's Band of Providence |
Band |
|
| [Pre-matrix A-]1752 | 11/13/1902 | Barber of Seville selection | Clarke's Band of Providence |
Band |
|
| [Pre-matrix C-]1752 | 7/29/1903 | Barber of Seville selection | Clarke's Band of Providence |
Band |
|
| [Pre-matrix D-]2034 | 1903 | Inflammatus | Jules Levy |
Cornet solo, with piano |
|
| [Pre-matrix C-]2203 | 1901-03 | William Tell overture | Victor Grand Concert Band |
Band |
|
| [Pre-matrix C-]2204 | 1901-03 | William Tell overture | Victor Grand Concert Band |
Band |
|
| [Pre-matrix C-]2205 | 1901-03 | William Tell overture | Victor Grand Concert Band |
Band |
|
| [Pre-matrix C-]2209 | 1901-03 | Cujus animam | Victor Grand Concert Band |
Band, with trombone solo |
|
| [Pre-matrix B-]3056 | 1/22/1901 | Largo al factotum | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Tenor vocal solo |
|
| [Pre-matrix B-]3402 | 5/24/1901 | Dunque io son | Rosalia Chalia ; Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Vocal duet (soprano and contralto) |
|
| [Pre-matrix C-]31026 | 1901-1902 | William Tell overture | Victor Grand Concert Band |
Band |
|
| [Pre-matrix C-]31066 | 1901-1902 | Largo al factotum | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| B-69 | 6/8/1903 | Largo al factotum | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo, with piano |
|
| C-188 [Old series] | 2/9/1903 or 5/26/1903 | Largo al factotum | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| B-211 | 7/29/1903 | Selections from the Barber of Saville | Clarke's Band of Providence |
Band |
|
| A-211 | 7/29/1903 | Selections from the Barber of Saville | Clarke's Band of Providence |
Band |
|
| C-211 | 7/29/1903 | The barber of Seville : Selections | Clarke's Band of Providence |
Band |
|
| A-275 | 8/15/1903 | Ballet music | Sousa's Band |
Band |
|
| B-275 | 8/15/1903 | Ballet music | Sousa's Band |
Band, with flute solo |
|
| B-276 | 8/15/1903 | William Tell overture finale | Sousa's Band |
Band |
|
| A-276 | 8/15/1903 | William Tell overture finale | Sousa's Band |
Band |
|
| B-278 | 8/15/1903 | Alpine duet | Sousa's Band |
Band |
|
| C-278 | 8/15/1903 | Alpine duet | Sousa's Band |
Band |
|
| A-358 | 8/28/1903 | Cujus animam | Arthur Pryor ; Sousa's Band |
Trombone solo, with band |
|
| B-358 | 8/28/1903 | Cujus animam | Arthur Pryor ; Sousa's Band |
Trombone solo, with band |
|
| C-358 | 8/28/1903 | Cujus animam | Arthur Pryor ; Sousa's Band |
Trombone solo, with band |
|
| B-434 | 9/18/1903 | Largo al factotum | Giuseppe Campanari |
Baritone vocal solo, with piano |
|
| A-841 | 12/16/1903 | Inflammatus | Arthur Pryor's Band |
Band, with trombone solo |
|
| C-841 | 12/16/1903 | Inflammatus | Arthur Pryor's Band |
Band, with trombone solo |
|
| B-841 | 12/16/1903 | Inflammatus | Arthur Pryor's Band |
Band, with trombone solo |
|
| B-991 | 1/29/1904 | Pro peccatis | Pol Plançon |
Bass vocal solo, with piano |
|
| A-1087 | 3/9/1904 | Inflammatus | Arthur Pryor |
Trombone solo, with band |
|
| B-1087 | 3/9/1904 | Inflammatus | Arthur Pryor |
Trombone solo, with orchestra |
|
| B-1275 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| BVE-1275 | 10/12/1926 | William Tell overture | Arthur Pryor's Band |
Band |
|
| C-1275 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| B-1276 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| BVE-1276 | 10/12/1926 | William Tell overture | Arthur Pryor's Band |
Band |
|
| C-1276 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| B-1277 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| BVE-1277 | 10/12/1926 | William Tell overture | Arthur Pryor's Band |
Band |
|
| C-1277 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| C-1278 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| B-1278 | 4/27/1904 | William Tell overture | Arthur Pryor's Band |
Band |
|
| BVE-1278 | 10/13/1926 | William Tell overture | Arthur Pryor's Band |
Band |
|
| A-1454 | 6/9/1904 | Largo al factotum | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo, with piano |
|
| B-2037 | 12/9/1904 | Semiramide overture | Sousa's Band |
Band |
|
| C-2037 | 12/9/1904 | Semiramide overture | Sousa's Band |
Band |
|
| B-2062 | 12/19/1904 | Il barbiere di Siviglia : Selections | Sousa's Band |
Band |
|
| C-2080 | 12/23/1904 | Tancredi overture | Sousa's Band |
Band |
|
| B-2190 | 2/1/1905 | Largo al factotum | Emilio de Gogorza |
Baritone vocal solo, with orchestra |
|
| C-2209 | 1/27/1905 | Semiramide overture | Arthur Pryor's Band |
Band |
|
| B-2489 | 4/21/1905 | Largo al factotum | Giuseppe Campanari |
Baritone vocal solo, with orchestra |
|
| B-2510 | 5/1/1905 | Miei rampolli | Arcangelo Rossi |
Bass vocal solo, with piano |
|
| B-2690 | 6/28/1905 | Tarantella | Giuseppe Campanari |
Baritone vocal solo, with orchestra |
|
| D-2845 | 10/26/1905 | Overture finale | Sousa's Band |
Band |
|
| B-2912 | 11/28/1905 | Zelmira | Victor Orchestra |
Orchestra |
|
| C-3221-A | 3/28/1906 | William Tell : Ballet music | Arthur Pryor's Band |
Band |
|
| C-3221-B | 3/28/1906 | William Tell : Ballet music | Arthur Pryor's Band |
Band |
|
| B-3221-C | 3/28/1906 | William Tell : Ballet music | Arthur Pryor's Band |
Band |
|
| C-4320 | 3/17/1907 | Inflammatus | Johanna Gadski |
Soprano vocal solo, with orchestra |
|
| C-4535 | 5/28/1907 | Ecco ridente | Florencio Constantino |
Tenor vocal solo, with orchestra |
|
| C-4548 | 5/31/1907 | Una voce poco fa | Alice Nielsen |
Soprano vocal solo, with orchestra |
|
| C-4713 | 7/25/1907 | Cujus animam | John A. Finnegan |
Male vocal solo, with orchestra |
|
| C-4858 | 10/3/1907 | Una voce poco fa | Marcella Sembrich |
Soprano vocal solo, with orchestra |
|
| C-4868 | 10/8/1907 | Cujus animam | Evan Williams |
Tenor vocal solo, with orchestra |
|
| C-4943 | 11/21/1907 | Inflammatus | Helene Noldi |
Female vocal solo, with orchestra |
|
| C-4994 | 1/7/1908 | La calunnia | Marcel Journet |
Bass vocal solo, with orchestra |
|
| CVE-4994 | 10/20/1925 | La calunnia | Marcel Journet |
Bass vocal solo, with orchestra |
|
| C-6038 | 3/17/1908 | Fac ut portem | Louise Homer |
Contralto vocal solo, with orchestra |
|
| C-6113 | 4/14/1908 | Pro peccatis | Pol Plançon |
Bass vocal solo, with orchestra |
|
| C-6573 | 11/2/1908 | Bel raggio lusinghier | Marcella Sembrich |
Soprano vocal solo, with orchestra |
|
| C-6867 | 3/8/1909 | Largo al factotum | Emilio de Gogorza |
Baritone vocal solo, with orchestra |
|
| C-7032 | 5/1/1909 | Quis est homo | Johanna Gadski ; Louise Homer |
Vocal duet (soprano and contralto), with orchestra |
|
| C-8638 | 2/16/1910 | La gazza ladra overture | Arthur Pryor's Band |
Band |
|
| B-8643 | 2/17/1910 | Inflammatus | Arthur Pryor's Band |
Band |
|
| C-8645 | 2/17/1910 | Cujus animam | Arthur Pryor's Band |
Band, with trombone solo |
|
| CVE-8645 | 10/14/1926 | Cujus animam | Arthur Pryor's Band |
Band |
|
| B-8645 | 2/17/1910 | Cujus animam | Arthur Pryor's Band |
Band |
|
| C-8864 | 4/19/1910 | Italian in Algiers overture | Arthur Pryor's Band |
Band |
|
| C-9078 | 6/10/1910 | Barber of Seville : Selection | Arthur Pryor's Band |
Band |
|
| C-9373 | 8/26/1910 | Inflammatus | Nellie Melba |
Soprano vocal solo, with orchestra |
|
| C-9461 | 9/19/1910 | Cujus animam | Arthur Pryor's Band |
Band, with trombone solo |
|
| C-9473 | 9/21/1910 | Cujus animam | Arthur Pryor's Band ; Arthur Pryor |
Band, with trombone solo |
|
| C-9516 | 10/5/1910 | Pro peccatis | Herbert Witherspoon |
Bass vocal solo, with orchestra |
|
| C-10071 | 3/17/1911 | Una voce poco fa | Luisa Tetrazzini |
Soprano vocal solo, with orchestra |
|
| C-10102 | 3/27/1911 | Inflammatus | Lucy Isabelle Marsh |
Female vocal solo, with chorus and orchestra |
|
| B-10137 | 3/31/1911 | Li marinari | John McCormack ; Mario Sammarco |
Vocal duet (tenor and baritone), with orchestra |
|
| C-10251 | 5/2/1911 | Lord, we praise thy holy name | Mixed Trio |
Mixed vocal trio, with orchestra |
|
| C-11214 | 11/9/1911 | Largo al factotum | Pasquale Amato |
Baritone vocal solo, with harp and orchestra |
|
| C-11590 | 2/13/1912 | La danza | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| B-11628 | 2/27/1912 | Finale, Act 2 | Arthur Pryor's Band |
Band |
|
| B-11802 | 3/28/1912 | Se il mio nome | Alberto Amadi |
Tenor vocal solo, with orchestra |
|
| B-11803 | 3/28/1912 | Ecco ridente in cielo | Alberto Amadi |
Tenor vocal solo, with orchestra |
|
| C-11867 | 4/12/1912 | Quis est homo | Alma Gluck ; Louise Homer |
Vocal duet (soprano and contralto), with orchestra |
|
| B-11887 | 4/17/1912 | William Tell overture : Finale | Ferdinand Himmelreich |
Piano solo |
|
| B-11900 | 4/22/1912 | William Tell fantasie | William H. Reitz |
Xylophone solo, with orchestra |
|
| C-12657 | 11/27/1912 | Inflammatus | Mrs. J. C. Hoskins |
Female vocal solo, with piano |
|
| C-14200 | 12/15/1913 | Cujus animam | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-14332 | 1/15/1914 | Reminiscenses of Rossini | Vessella's Italian Band |
Band |
|
| C-14396 | 1/29/1914 | Inflammatus | Michele Rinaldi |
Cornet solo, with orchestra |
|
| B-14439 | 2/12/1914 | Danza | Lucrezia Bori |
Soprano vocal solo, with orchestra |
|
| B-14520 | 2/26/1914 | Resta immobile | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| B-14818 | 5/11/1914 | Bel raggio lusinghier | Luisa Tetrazzini |
Soprano vocal solo, with orchestra |
|
| B-16014 | 5/12/1915 | William Tell overture | Victor Concert Orchestra |
Orchestra |
|
| BVE-16014 | 4/11/1927 | William Tell overture | Victor Symphony Orchestra |
Orchestra |
|
| BVE-16015 | 7/15/1926 | William Tell overture | Victor Symphony Orchestra |
Orchestra |
|
| B-16015 | 5/12/1915 | William Tell overture | Victor Concert Orchestra |
Orchestra |
|
| BVE-16016 | 7/15/1926 | William Tell overture | Rosario Bourdon ; Victor Symphony Orchestra |
Orchestra |
|
| B-16016 | 5/12/1915 | William Tell overture | Victor Concert Orchestra |
Orchestra |
|
| BVE-16022 | 7/16/1926 | William Tell overture | Victor Symphony Orchestra |
Orchestra |
|
| B-16022 | 5/12/1915 | William Tell overture | Victor Concert Orchestra |
Orchestra |
|
| C-16115 | 6/18/1915 | Cujus animam | Paul Althouse |
Tenor vocal solo, with orchestra |
|
| C-16196 | 7/10/1915 | Barber of Seville : Overture | Pietro [i.e., Pietro Deiro] |
Accordion solo |
|
| C-16708 | 10/22/1915 | Cujus animam | Giovanni Martinelli |
Tenor vocal solo, with orchestra |
|
| C-17055 | 1/24/1916 | Pro peccatis | Marcel Journet |
Bass vocal solo, with orchestra |
|
| CVE-17055 | 10/11/1926 | Pro peccatis | Marcel Journet |
Bass vocal solo, with orchestra |
|
| C-18055 | 7/6/1916 | Tancredi : Overture | Conway's Band |
Band |
|
| C-18737 | 11/8/1916 | Semiramide overture : Adante | Vessella's Italian Band |
Band |
|
| C-18738 | 11/8/1916 | Semiramide overture : Adante | Vessella's Italian Band |
Band, with chimes |
|
| C-19136 | 1/26/1917 | Ah! Matilde, io t'amo | Marcel Journet ; Giovanni Martinelli |
Vocal duet (tenor and bass), with orchestra |
|
| C-19163 | 2/9/1917 | Largo al factotum | Giuseppe De Luca |
Baritone vocal solo, with orchestra |
|
| C-20045 | 6/15/1917 | Una voce poco fa | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| CVE-20045 | 12/15/1927 | Una voce poco fa | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| C-20616 | 8/10/1917 | Ecco ridente in ciel | Carlos Mejía |
Male vocal solo, with orchestra |
|
| C-21206 | 11/26/1917 | Woodwinds | Victor Orchestra |
Instructional |
|
| C-21223 | 12/4/1917 | Strings | Victor Orchestra |
Instructional |
|
| B-22249 | 9/23/1918 | Se il mio nome | Carlos Mejía |
Male vocal solo, with orchestra |
|
| C-23945 | 4/19/1920 | Largo al factotum | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| CVE-23945 | 2/25/1926 | Largo al factotum | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| C-23977 | 4/29/1920 | Quis est homo | Louise Homer ; Louise Homer Stires |
Vocal duet (soprano and contralto), with orchestra |
|
| C-24473 | 9/16/1920 | Domine Deus | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| B-24474 | 9/16/1920 | Crucifixus | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-24742 | 12/21/1920 | Overture, part 1 | Teatro alla Scala Orchestra |
Orchestra |
|
| C-24743 | 12/21/1920 | Overture, part 2 | Teatro alla Scala Orchestra |
Orchestra |
|
| B-25991 | 2/6/1922 | Quando corpus | Trinity Quartet |
Mixed vocal quartet, unaccompanied |
|
| CVE-26102 | 3/15/1927 | La calunnia | Fyodor Ivanovich Chaliapin |
Bass vocal solo, with orchestra |
|
| C-26102 | 1/30/1922 | La calunnia | Fyodor Ivanovich Chaliapin |
Bass vocal solo, with orchestra |
|
| C-26119 | 2/13/1922 | Cujus animam | Lambert Murphy |
Male vocal solo, with orchestra |
|
| B-26455 | 5/8/1922 | Barber of Seville overture, part 1 | Josef Pasternack ; Victor Symphony Orchestra |
Orchestra |
|
| B-26456 | 5/8/1922 | Barber of Seville overture, part 2 | Josef Pasternack ; Victor Symphony Orchestra |
Orchestra |
|
| B-26457 | 5/9/1922 | Semiramide : Overture | Josef Pasternack ; Victor Symphony Orchestra |
Orchestra |
|
| B-26458 | 5/9/1922 | Semiramide : Overture | Josef Pasternack ; Victor Symphony Orchestra |
Orchestra |
|
| C-27077 | 11/14/1922 | Cavatina fun Figaro | Joseph Winogradoff |
Male vocal solo, with orchestra |
|
| B-27368 | 1/2/1923 | Selva opaca | Frances Alda |
Soprano vocal solo, with piano and orchestra |
|
| C-27392 | 1/23/1923 | Troncar suoi di | Giuseppe De Luca ; José Mardones ; Giovanni Martinelli |
Vocal trio (tenor, baritone, and bass), with orchestra |
|
| B-27393 | 1/23/1923 | Resta immobile | Giuseppe De Luca |
Baritone vocal solo, with cello and orchestra |
|
| C-27526 | 2/1/1923 | O muto asil del pianto | Giovanni Martinelli |
Tenor vocal solo, with orchestra |
|
| B-27792 | 5/2/1923 | Pro peccatis | José Mardones |
Bass vocal solo, with piano and orchestra |
|
| C-27792 | 5/4/1923 | Pro peccatis | José Mardones |
Bass vocal solo, with orchestra |
|
| B-27943 | 5/31/1923 | Italians in Algiers : Overture | Rosario Bourdon ; Victor Symphony Orchestra |
Orchestra |
|
| BVE-27943 | 9/17/1929 | Italians in Algiers : Overture | Victor Symphony Orchestra |
Orchestra |
|
| BVE-27944 | 9/18/1929 | Italians in Algiers : Overture | Victor Symphony Orchestra |
Orchestra |
|
| B-27944 | 5/31/1923 | Italians in Algiers : Overture | Rosario Bourdon ; Victor Symphony Orchestra |
Orchestra |
|
| BVE-27993 | 9/10/1926 | Ecco ridente in cielo | Tito Schipa |
Tenor vocal solo, with harp and orchestra |
|
| B-27993 | 5/31/1923 | Ecco ridente in cielo | Tito Schipa |
Tenor vocal solo, with piano and orchestra |
|
| B-28050 | 6/5/1923 | Se il mio nome | Tito Schipa |
Tenor vocal solo, with guitar and piano |
|
| BVE-28050 | 9/10/1926 | Se il mio nome | Tito Schipa |
Tenor vocal solo, with orchestra |
|
| B-28497 | 9/25/1923 | La gazza ladra : Overture | Nathaniel Shilkret ; Victor Symphony Orchestra |
Orchestra |
|
| B-28498 | 9/26/1923 | La gazza ladra : Overture | Nathaniel Shilkret ; Victor Symphony Orchestra |
Orchestra |
|
| C-30905 | 9/16/1924 | Bel raggio lusinghier | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| C-31134 | 11/1/1924 | Barber of Seville overture, part 1 | Rudolph Ganz ; St. Louis Symphony Orchestra |
Orchestra |
|
| CVE-31134 | 12/4/1925 | Barber of Seville overture | Rudolph Ganz ; St. Louis Symphony Orchestra |
Orchestra |
|
| C-31135 | 11/2/1924 | Barber of Seville overture, part 2 | Rudolph Ganz ; St. Louis Symphony Orchestra |
Orchestra |
|
| CVE-31135 | 12/4/1925 | Barber of Seville overture | Rudolph Ganz ; St. Louis Symphony Orchestra |
Orchestra |
|
| B-31271 | 12/9/1924 | Selva opaca | Toti Dal Monte |
Soprano vocal solo, with orchestra |
|
| C-31271 | 12/10/1924 | Selva opaca | Toti Dal Monte |
Soprano vocal solo, with orchestra |
|
| C-31280 | 12/11/1924 | Una voce poco fa | Toti Dal Monte |
Soprano vocal solo, with orchestra |
|
| B-31695 | 1/21/1925 | Tarantella | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| CVE-34503 | 1/26/1926 | Una voce poco fa | Marion Talley |
Soprano vocal solo, with orchestra |
|
| BVE-34518 | 2/1/1926 | Cujus animam | Mark Andrews |
Pipe organ solo |
|
| BVE-35446 | 5/7/1926 | Senti ma a Lindoro | Amelita Galli-Curci ; Lawrence Tibbett |
Vocal duet (soprano and baritone), with orchestra |
|
| CVE-35740 | 7/6/1926 | Romanza and variations | Orchestra Italiana Tafarella |
Orchestra, with cornet solo |
|
| BVE-35740 | 7/23/1926 | Una voce poco fa | Santi Tafarella |
Cornet solo, with band |
|
| BVE-37802 | 2/8/1927 | Strings | Victor Orchestra |
Instructional |
|
| BVE-37816 | 2/14/1927 | Woodwind | Victor Orchestra |
Instructional |
|
| CVE-38803 | 5/13/1927 | Semiramide : Overture | Creatore's Band |
Band |
|
| CVE-38804 | 5/13/1927 | Semiramide : Overture | Creatore's Band |
Band |
|
| CVE-42564 | 3/26/1928 | Danza | Mary Lewis |
Soprano vocal solo, with orchestra |
|
| CVE-51721 | 4/18/1929 | La gazza ladra, part 1 | Federico Del Cupolo |
Male vocal solo, with orchestra |
|
| CVE-51722 | 4/18/1929 | La gazza ladra, part 2 | Federico Del Cupolo |
Male vocal solo, with orchestra |
|
| BVE-56204 | 9/18/1929 | Semiramide : Overture | Rosario Bourdon ; Victor Symphony Orchestra |
Orchestra |
|
| BVE-56205 | 9/18/1929 | Semiramide : Overture | Rosario Bourdon ; Victor Symphony Orchestra |
Orchestra |
|
| CVE-56802 | 11/21/1929 | Barber of Seville : Overture | New York Philharmonic ; Arturo Toscanini |
Orchestra |
|
| CVE-56803 | 11/21/1929 | Barber of Seville : Overture | New York Philharmonic ; Arturo Toscanini |
Orchestra |
|
| BVE-59731 | 3/28/1930 | La danza | Amelita Galli-Curci |
Soprano vocal solo, with piano |
|
| CVE-59753 | 4/15/1930 | Largo al factotum | Lawrence Tibbett |
Baritone vocal solo, with orchestra |
|
| S-243 | 7/10/1907 | Semiramis overture | Banda de Policía de México |
Band |
|
| C-[Unnumbered 1923-03-19-03] | 3/19/1923 | William Tell overture, part 1 | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| C-[Unnumbered 1923-03-19-04] | 3/19/1923 | William Tell overture, part 2 | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| [Trial 1923-07-31-01] | 7/31/1923 | Una voce poco fa | Marina Campanari |
Female vocal solo, with piano |
|
| B-[Unnumbered 1923-03-19-05] | 3/19/1923 | William Tell overture, part 3 | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| [Trial 1923-11-01-03] | 11/1/1923 | Largo al factotum | Mario Basiola |
Baritone vocal solo, with piano |
|
| [Trial 1924-05-01-04] | 5/1/1924 | Cujus animam | Albert A. Newcomb |
Male vocal solo, with piano |
|
| [Trial 1926-02-04-01] | 2/4/1926 | Barber of Seville : Overture | Charles Magnante |
Accordion solo |
|
| BVE-Test-428 | 10/28/1929 | Una voce poco fa | Marie Healy |
Female vocal solo, with piano |
|
| 224L | 1902 | Villem Tell: Uvertyura | Imperial Court Band [i.e., Orkestr Pod Upravleniem Solista Pridvornago] |
Band |
|
| 447z | 1902 | Largo al factotum | Mattias Battistini |
Baritone vocal solo, with piano |
|
| 576c | 1905 | Barbiere di Siviglia overture | Orchestra Milano [i.e., Teatro alla Scala. Orchestra] |
Orchestra |
|
| 628c | 5/1906 | Una voce poco fa | Josephina Huguet |
Soprano vocal solo, with orchestra |
|
| 1328½c | 1907 | Dunque io son? | Maria Galvany ; Titta Ruffo |
Vocal duet (soprano and baritone), with orchestra |
|
| 1755b | 4/1902 | Crucifixus | Alessandro Moreschi |
Male soprano (castrato) vocal solo, with piano |
|
| 2182h | 4/1904 | Crucifixus | Alessandro Moreschi |
Male soprano vocal solo, with piano |
|
| 2864b | 11/1902 | Il barbiere di Siviglia : Aria | Fernando de Lucia |
Tenor vocal solo, with piano |
|
| 3020b | 2/1903 | O muto asil | Francesco Tamagno |
Tenor vocal solo, with piano |
|
| 3026b | 2/1903 | Corriam, corriamo | Francesco Tamagno |
Tenor vocal solo, with piano |
|
| 3652L | 1906 | Cavatina | Bohumil Benoni |
Baritone vocal solo, with orchestra |
|
| 6009h | 6/1908 | Barcarolle : Accours dans ma nacelle | Georges Régis |
Tenor vocal solo, with orchestra |
|
| 6106o | 1906 | Asile héréditaire | Léon Beyle |
Tenor vocal solo, with orchestra |
|
| 7312b | 1905 | Il vecchietto cerca moglie | Emma Zaccaria |
Female vocal solo, with orchestra |
|
| 7351b | 1905 | Pace e gioia | Emilio Perea ; Antonio Pini-Corsi |
Female-male vocal duet, with orchestra |
|
| 10638b | 6/1907 | Guarda, Don Bartolo | Ernesto Badini ; Josephina Huguet ; Antonio Pini-Corsi ; Gaetano Pini-Corsi |
Vocal quartet (soprano, tenor, and 2 baritones), with orchestra |
|
| 11287b | 1/1908 | Introduzione | Carlo Sabajno |
Orchestra |
