Georges Bizet (composer)

Georges Bizet as pictured in a Victor catalog
Matrixes marked with
indicate recordings are available for online listening.
Matrix No. |
First Recording Date |
Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| [Pre-matrix A-]43 | 5/25/1900 | Gipsy song | Marie Romaine |
Female vocal solo |
|
| [Pre-matrix A-]440 | 10/19/1900 | Chanson du toréador | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo, with orchestra |
|
| [Pre-matrix A-]489 | 11/2/1900 | Habanera | Marie Romaine |
Female vocal solo |
|
| [Pre-matrix A-]627 | 1/22/1901 | Toreador song | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| [Pre-matrix B-]627 | 1/22/1901 | Toreador song | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo |
|
| [Pre-matrix B-]1352-A | 4/7/1902 | Selection from Carmen | Hungarian Gypsy Orchestra |
Instrumental ensemble |
|
| [Pre-matrix A-]1449 | 6/24/1902 | Selections from Carmen | Sousa's Band |
Band |
|
| [Pre-matrix B-]1449 | 6/24/1902 | Selections from Carmen | Sousa's Band |
Band |
|
| [Pre-matrix C-]1449 | 6/24/1902 | Selections from Carmen | Sousa's Band |
Band |
|
| [Pre-matrix B-]1453 | 6/25/1902 | Toreador song | Sig. Carlos Francisco [i.e., Emilio de Gogorza] ; Sousa's Band |
Baritone vocal solo, with band |
|
| [Pre-matrix B-]3055 | 1/22/1901 | Toreador song | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo, with orchestra |
|
| [Pre-matrix B-]3406 | 5/24/1901 | Se tu m'ami mio ben | Rosalia Chalia ; Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Vocal duet (soprano and baritone) |
|
| [Pre-matrix B-]3445 | 6/7/1901 | Selections from Carmen | Sousa's Band |
Band |
|
| B-18 | 5/17/1903 | Habanera | Zélie De Lussan |
Soprano vocal solo, with piano |
|
| A-184 | 7/3/1903 | Carmen : Selections | Royal Italian Marine Band |
Band |
|
| B-184 | 7/3/1903 | Carmen : Selections | Royal Italian Marine Band |
Band |
|
| B-185 | 7/3/1903 | Habanera | Royal Italian Marine Band |
Band |
|
| A-185 | 7/3/1903 | Habanera | Royal Italian Marine Band |
Band |
|
| B-427 | 9/17/1903 | Micaëla's aria | Lillian Blauvelt |
Soprano vocal solo, with orchestra |
|
| B-433 | 9/18/1903 | Con voi ber | Giuseppe Campanari |
Baritone vocal solo, with piano |
|
| C-433 | 9/18/1903 | Toreador song | Giuseppe Campanari |
Baritone vocal solo, with piano |
|
| B-1105 | 3/11/1904 | Toreador song | Sig. Carlos Francisco [i.e., Emilio de Gogorza] |
Baritone vocal solo, with orchestra |
|
| B-1685 | 9/15/1904 | Carmen selection | Royal Italian Marine Band |
Band |
|
| C-1685 | 9/19/1904 | Carmen selection (Habanera) | Royal Italian Marine Band |
Band |
|
| C-1692 | 9/19/1904 | Carmen selection | Royal Italian Marine Band |
Band |
|
| B-2058 | 12/16/1904 | Carmen : Selections | Sousa's Band |
Band |
|
| C-2058 | 12/16/1904 | Carmen selection | Sousa's Band |
Band |
|
| C-2203 | 1/25/1905 | Air de la fleur | Francisco Nuibo |
Tenor vocal solo, with orchestra |
|
| C-2341 | 2/27/1905 | Romance de la fleur | Enrico Caruso |
Tenor vocal solo, with piano |
|
| C-2480 | 4/18/1905 | Canzone del toreador | Giuseppe Campanari |
Baritone vocal solo, with orchestra |
|
| B-2604 | 6/6/1905 | Habanera | Louise Homer |
Contralto vocal solo, with piano |
|
| B-2722 | 9/5/1905 | Minuet | Sousa's Band |
Band |
|
| B-2723 | 9/5/1905 | Carrillon | Sousa's Band |
Band |
|
| C-2835 | 10/24/1905 | Pearl fishers selection | Sousa's Band |
Band |
|
| A-3223 | 3/29/1906 | Carmen : Selections | Arthur Pryor's Band |
Band |
|
| B-3223 | 3/29/1906 | Carmen selection | Arthur Pryor's Band |
Band |
|
| C-3223 | 3/29/1906 | Carmen selection | Arthur Pryor's Band |
Band |
|
| C-3386 | 5/14/1906 | Micaela's air | Emma Eames |
Soprano vocal solo, with orchestra |
|
| C-3449 | 6/7/1906 | Chanson du toreador | Emilio de Gogorza |
Baritone vocal solo, with chorus and orchestra |
|
| B-3449 | 2/4/1925 | Toreador song | Emilio de Gogorza |
Baritone vocal solo, with chorus and orchestra |
|
| C-4249 | 2/13/1907 | Air de la fleur | Charles Dalmorès |
Tenor vocal solo, with orchestra |
|
| C-4253 | 2/19/1907 | Je suis Escamillo | Charles Dalmorès ; Marcel Journet |
Vocal duet (tenor and bass), with orchestra |
|
| C-4327 | 3/24/1907 | Del tempio al limitar | Mario Ancona ; Enrico Caruso |
Vocal duet (tenor and baritone), with orchestra |
|
| C-4427 | 4/22/1907 | Habanera | Emma Calvé |
Soprano vocal solo, with orchestra |
|
| C-4540 | 5/28/1907 | Mi par d'udir ancora | Florencio Constantino |
Tenor vocal solo, with orchestra |
|
| C-4693 | 7/23/1907 | Flower song | Evan Williams |
Tenor vocal solo, with orchestra |
|
| B-4927 | 11/13/1907 | Toreador song | Alan Turner |
Male vocal solo, with orchestra |
|
| C-5010 | 1/10/1908 | Mi par d'udir ancora | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-6042 | 3/20/1908 | Chanson bohème | Emma Calvé |
Soprano vocal solo, with orchestra |
|
| C-6043 | 3/20/1908 | Là-bas dans la montagne | Emma Calvé ; Charles Dalmorès |
Vocal duet (soprano and tenor), with orchestra |
|
| C-6317 | 7/23/1908 | Flower song | Evan Williams |
Tenor vocal solo, with orchestra |
|
| C-6652 | 12/8/1908 | Je dis que rien ne m'epouvante | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| B-8334 | 10/29/1909 | Habanera | Jeanne Gerville |
Contralto vocal solo, with orchestra |
|
| C-8334 | 12/9/1910 | Habanera | Jeanne Gerville |
Contralto vocal solo, with orchestra |
|
| B-8335 | 10/30/1909 | En vain pour éviter | Jeanne Gerville |
Contralto vocal solo, with orchestra |
|
| C-8349 | 11/7/1909 | Il fior che avevi a me tu dato | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-8350 | 11/7/1909 | Air de la fleur | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| C-8489 | 12/16/1909 | Quand la flamme de l'amour | Charles Gilibert |
Baritone vocal solo, with orchestra |
|
| B-8516 | 12/29/1909 | Farandole | Sousa's Band |
Band |
|
| C-8538 | 1/7/1910 | Il fior che avevi a me tu dato | John McCormack |
Tenor vocal solo, with orchestra |
|
| C-8563 | 1/15/1910 | Quand la flamme de l'amour | Marcel Journet |
Bass vocal solo, with orchestra |
|
| BVE-8563 | 10/20/1925 | Quand la flamme de l'amour | Marcel Journet |
Bass vocal solo, with orchestra |
|
| B-8738 | 3/31/1911 | Del tempio al limitar | John McCormack ; Mario Sammarco |
Vocal duet (tenor and baritone), with orchestra |
|
| C-8738 | 3/23/1910 | Del tempio al limitar | John McCormack ; Mario Sammarco |
Vocal duet (tenor and baritone), with orchestra |
|
| B-8745 | 3/25/1910 | Nôtre métier est bon | David Devriès ; Maria Duchêne ; Suzanne Dumesnil ; Charles Gilibert ; Gabrielle Lejeune-Gilibert ; Gaston Leroux |
Vocal sextet (soprano, mezzo-soprano, contralto, 2 tenors, and baritone), with orchestra |
|
| C-8746 | 3/25/1910 | Nous avons en tête | Maria Duchêne ; Suzanne Dumesnil ; Charles Gilibert ; Gabrielle Lejeune-Gilibert |
Vocal quartet (soprano, mezzo-soprano, contralto, and baritone), with orchestra |
|
| C-8844 | 4/13/1910 | Carmen : Ballet music | Arthur Pryor's Band |
Band |
|
| B-9368 | 8/19/1910 | Je crois entendre encore | Mischa Ferenzo |
Tenor vocal solo, with orchestra |
|
| B-9811 | 1/13/1911 | Habanera | Guido Gialdini |
Whistling solo, with orchestra |
|
| C-10181 | 4/13/1911 | Micaela's aria | Alma Gluck |
Soprano vocal solo, with orchestra |
|
| C-10219 | 4/24/1911 | Carmen : Selection | William H. Reitz |
Xylophone solo, with orchestra |
|
| B-10219 | 4/28/1911 | Carmen : Selection | William H. Reitz |
Xylophone solo, with orchestra |
|
| C-10294 | 5/8/1911 | L'Arlésienne suite no. 1 : Prelude | Arthur Pryor's Band |
Band |
|
| C-10394 | 6/6/1911 | Gems from Carmen | Victor Opera Company |
Vocal chorus and soloists, with orchestra |
|
| C-10553 | 6/20/1911 | Romanza del fiore | Alberto Amadi |
Male vocal solo, with orchestra |
|
| C-11077 | 10/11/1911 | Prelude : Finale | Victor Herbert's Orchestra |
Orchestra |
|
| B-11078 | 10/11/1911 | No. 2 intermezzo (1st entr'acte) | Victor Herbert's Orchestra |
Orchestra |
|
| C-11079 | 10/11/1911 | First intermezzo (1st entr'acte) | Victor Herbert's Orchestra |
Orchestra |
|
| C-11172 | 11/2/1911 | Micaela's air | Florence Hinkle |
Female vocal solo, with orchestra |
|
| C-11213 | 11/9/1911 | Canzone del toreador | Pasquale Amato |
Baritone vocal solo, with harp and orchestra |
|
| C-11345 | 12/8/1911 | Agnus Dei | Ernestine Schumann-Heink |
Soprano vocal solo, with orchestra and piano |
|
| C-11470 | 1/18/1912 | Au fond du temple saint | Edmond Clément ; Marcel Journet |
Vocal duet (tenor and bass), with orchestra |
|
| C-11471 | 1/18/1912 | Je suis Escamillo | Edmond Clément ; Marcel Journet |
Vocal duet (tenor and bass), with orchestra |
|
| C-11682 | 3/7/1912 | Air de la fleur | Hermann Jadlowker |
Tenor vocal solo, with orchestra |
|
| B-11688 | 3/8/1912 | Seguidilla | Margarete Matzenauer |
Soprano vocal solo, with orchestra |
|
| C-11785 | 3/22/1912 | Se tu m'ami | Pasquale Amato ; Margarete Matzenauer |
Vocal duet (soprano and baritone), with orchestra and chorus |
|
| B-11894 | 4/18/1912 | Habanera | Rosalia Chalia |
Soprano vocal solo, with orchestra |
|
| B-12542 | 10/28/1912 | Le Gascon | Herbert Witherspoon |
Bass vocal solo, with orchestra |
|
| C-12604 | 11/8/1912 | Carmen selection | Vessella's Italian Band |
Band |
|
| B-12707 | 12/11/1912 | Mi par d'udire ancora | John McCormack |
Tenor vocal solo, with orchestra |
|
| B-12748 | 12/30/1912 | Chorus of cigarette girls | Women's Chorus |
Female chorus, with male vocal chorus |
|
| C-12803 | 1/16/1913 | Agnus Dei | Ernestine Schumann-Heink |
Contralto vocal solo, with piano and orchestra |
|
| C-12942 | 2/24/1913 | Agnus Dei | Enrico Caruso |
Tenor vocal solo, with piano and orchestra |
|
| C-13028 | 3/28/1913 | Parle-moi de ma mère | Lucy Isabelle Marsh ; John McCormack |
Vocal duet (soprano and tenor), with orchestra |
|
| B-13452 | 6/18/1913 | Toreador song | Earl Cartwright |
Baritone vocal solo, with orchestra and chorus |
|
| B-13521 | 7/3/1913 | Mi par d'udire ancora | Alberto Amadi |
Tenor vocal solo, with orchestra |
|
| C-13998 | 10/27/1913 | L'amour est un oiseau rebelle | Sophie Braslau |
Contralto vocal solo, with orchestra |
|
| B-13998 | 10/28/1913 | Habanera | Sophie Braslau |
Contralto vocal solo, with orchestra |
|
| B-14304 | 1/12/1914 | Farandole, part 4 | Vessella's Italian Band |
Band |
|
| C-14496 | 2/20/1914 | Micaela's air | Frances Alda |
Soprano vocal solo, with orchestra |
|
| C-14819 | 5/11/1914 | Micaela's air | Luisa Tetrazzini |
Soprano vocal solo, with orchestra |
|
| B-15129 | 8/7/1914 | Adagietto | Conway's Band |
Band |
|
| B-15474 | 12/9/1914 | Habanera | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| C-15475 | 12/9/1914 | Chanson bohème | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| C-15476 | 12/9/1914 | Las bas dans la montagne | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| C-15477 | 12/9/1914 | Seguidilla | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| C-15483 | 12/10/1914 | Parle-moi de ma mere | Frances Alda ; Enrico Caruso |
Vocal duet (soprano and tenor), with orchestra |
|
| B-15688 | 2/8/1915 | Golden light | Florentine Quartet |
Instrumental quartet |
|
| C-16020 | 5/11/1915 | Air de la fleur | Giovanni Martinelli |
Tenor vocal solo, with orchestra |
|
| C-16030 | 5/17/1915 | Halte la! Qui va la? | Geraldine Farrar ; Giovanni Martinelli |
Vocal duet (soprano and tenor), with orchestra |
|
| C-16031 | 5/17/1915 | Au quartier pour l'appel | Geraldine Farrar ; Giovanni Martinelli |
Vocal duet (soprano and tenor), with orchestra |
|
| C-16032 | 5/17/1915 | C'est toi! | Geraldine Farrar ; Giovanni Martinelli |
Vocal duet (soprano and tenor), with orchestra |
|
| B-16035 | 5/19/1915 | Voyons que j'essaie | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| C-16035 | 5/19/1915 | Voyons que j'essaie | Geraldine Farrar |
Soprano vocal solo, with orchestra |
|
| C-16036 | 5/19/1915 | Si tu m'aimes | Pasquale Amato ; Geraldine Farrar |
Vocal duet (soprano and baritone), with chorus and orchestra |
|
| C-16869 | 12/8/1915 | Chanson du toréador | Reinald Werrenrath |
Baritone vocal solo, with chorus and orchestra |
|
| B-17384 | 3/28/1916 | Ouvre ton coeur | Giovanni Martinelli |
Tenor vocal solo, with orchestra |
|
| B-17755 | 5/29/1916 | Adagietto | Fritz Kreisler |
Violin solo, with string quartet [trio] |
|
| C-17809 | 6/6/1916 | Habanera | Emma Calvé |
Soprano vocal solo, with piano |
|
| C-18822 | 12/7/1916 | Je crois entendre encore | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| B-18823 | 12/7/1916 | De mon amie | Enrico Caruso |
Tenor vocal solo, with harp and oboe |
|
| C-18977 | 1/10/1917 | Carmen : Intermezzo | Victor Orchestra |
Orchestra |
|
| B-20436 | 7/23/1917 | L'Arlesienne : Farandole no. 4 | Victor Symphony Orchestra |
Orchestra |
|
| C-20486 | 8/2/1917 | Mi par d'udir ancora | Carlos Mejía |
Male vocal solo, with orchestra |
|
| B-21051 | 11/3/1917 | L'Arlésienne : Adagietto | Victor Symphony Orchestra |
Orchestra |
|
| C-21224 | 12/4/1917 | Percussion and full orchestra | Victor Orchestra |
Instructional |
|
| B-21427 | 1/25/1918 | Spanish serenade | Victor Concert Orchestra |
Orchestra |
|
| BVE-21427 | 11/30/1926 | Spanish serenade | Victor Concert Orchestra |
Orchestra |
|
| B-22812 | 5/5/1919 | Carmen : Prélude to act 1 | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| BVE-22812 | 3/10/1927 | Carmen suite : Prelude to Act l | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| B-22820 | 5/6/1919 | L'Arlesienne : Minuet | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| C-22876 | 5/27/1919 | Toreador's song | Georges Baklanoff |
Male vocal solo, with orchestra |
|
| C-23582 | 1/16/1920 | Habanera | Gabriella Besanzoni |
Contralto vocal solo, with orchestra |
|
| B-24750 | 12/22/1920 | Aragonaise | Teatro alla Scala Orchestra |
Orchestra |
|
| B-24984 | 3/11/1921 | Farandole | Teatro alla Scala Orchestra |
Orchestra |
|
| B-25106 | 3/18/1921 | Song to the evening star (Tannhäuser) | Victor Orchestra |
Orchestra |
|
| BVE-25106 | 7/8/1927 | Song to the evening star (Tannhäuser) | Victor Orchestra |
Orchestra |
|
| B-25107 | 3/18/1921 | Heavenly Aïda | Victor Orchestra |
Orchestra |
|
| BVE-25107 | 7/8/1927 | Celeste Aïda (Aïda) | Victor Orchestra |
Orchestra |
|
| C-25553 | 9/10/1921 | Comme autrefois | Amelita Galli-Curci |
Soprano vocal solo, with orchestra |
|
| B-25942 | 1/9/1922 | Spanish dance | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| B-26134 | 2/24/1922 | Minuet | Sergei Rachmaninoff |
Piano solo |
|
| C-27006 | 10/4/1922 | Toreador song | F. N. De Luca |
Male vocal solo, with piano |
|
| B-27295 | 1/9/1923 | Agnus Dei | Manuel Carvalho |
Male vocal solo, with instrumental ensemble |
|
| B-27469 | 2/9/1923 | Hail Philippines | William Robyn |
Male vocal solo, with orchestra |
|
| C-27751 | 4/11/1923 | Toreador song | Titta Ruffo |
Baritone vocal solo, with orchestra |
|
| B-27902 | 4/30/1923 | March of the smugglers | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-27902 | 5/2/1927 | March of the smugglers | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| B-27903 | 4/30/1923 | Soldiers changing the guard | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-27903 | 5/2/1927 | Soldiers changing the guard | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| C-29253 | 1/7/1924 | Carmen : Fantasie | Erica Morini |
Violin solo, with cello and orchestra |
|
| C-29286 | 1/14/1924 | Parle-moi de ma mère | Lucrezia Bori ; Miguel Fleta |
Vocal duet (soprano and tenor), with piano, harp, and orchestra |
|
| B-30027 | 4/28/1924 | The pearl fishers : Romanza | Dmitri Dobkin |
Tenor vocal solo, with orchestra |
|
| C-30027 | 11/25/1924 | Dein schtimme klingt vieder | Dmitri Dobkin |
Male vocal solo, with cello and orchestra |
|
| B-30924 | 9/22/1924 | En vain pour éviter | Jeanne Gordon |
Contralto vocal solo, with flute and orchestra |
|
| BVE-30924 | 6/26/1925 | En vain pour éviter | Jeanne Gordon |
Contralto vocal solo, with orchestra |
|
| B-30925 | 9/22/1924 | Seguidilla | Jeanne Gordon |
Contralto vocal solo, with orchestra |
|
| BVE-30925 | 7/8/1925 | Seguidilla | Jeanne Gordon |
Contralto vocal solo, with orchestra |
|
| C-31383 | 12/19/1924 | Carmen : Fantasie | Jascha Heifetz |
Violin solo, with piano |
|
| C-31411 | 11/14/1924 | Carmen selection | Goldman Band |
Band |
|
| B-32162 | 3/17/1925 | L'Arlésienne : Menuet | Cecilia Hansen |
Violin solo, with piano |
|
| BE-32179 | 3/23/1925 | Petite suite : March and impromptu | Victor Concert Orchestra |
Orchestra |
|
| CE-32180 | 3/23/1925 | Petite suite : Berceuse and galop | Victor Concert Orchestra |
Orchestra |
|
| CVE-32182 | 3/24/1925 | Petite suite : Duo | Victor Concert Orchestra |
Orchestra |
|
| CVE-33481 | 10/21/1925 | Toreador song | Marcel Journet |
Bass vocal solo, with orchestra |
|
| BVE-34501 | 1/26/1926 | Seguidilla | Marguerite D'Alvarez |
Contralto vocal solo, with orchestra |
|
| BVE-34502 | 1/26/1926 | Habanera | Marguerite D'Alvarez |
Contralto vocal solo, with orchestra |
|
| BVE-36855 | 10/22/1926 | I pescatori di perle : Waltz | Trio Italiano |
Instrumental trio |
|
| CVE-37494 | 4/30/1927 | Intermezzo | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-37498 | 5/2/1927 | Gypsy dance | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| BVE-38211 | 3/10/1927 | Habanera | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-38835 | 5/25/1927 | Carmen selection | Creatore's Band |
Band |
|
| BVE-38836 | 5/25/1927 | Carmen selection, part 3 | Creatore's Band |
Band |
|
| CVE-38836 | 7/27/1927 | Carmen selection | Creatore's Band |
Band |
|
| CVE-39545 | 7/26/1927 | Carmen selections | Creatore's Band |
Band |
|
| CVE-41071 | 11/28/1927 | Del tempio al limitar | Giuseppe De Luca ; Beniamino Gigli |
Vocal duet (tenor and baritone), with orchestra |
|
| CVE-41650 | 1/26/1928 | Habanera | Maria Jeritza |
Soprano vocal solo, with chorus and orchestra |
|
| CVE-41651 | 1/26/1928 | Chanson bohême (Les tringles de sistres) | Maria Jeritza |
Soprano vocal solo, with contralto vocal solo and orchestra |
|
| BVE-43411 | 3/26/1928 | Variations on themes from Carmen | Vladimir Horowitz |
Piano solo |
|
| CVE-43751 | 4/26/1928 | Il fior che avevi a me tu dato | Bernardo De Muro |
Tenor vocal solo, with orchestra |
|
| CVE-45614 | 6/8/1928 | Air de la fleur | Edward Johnson |
Tenor vocal solo, with orchestra |
|
| CVE-47981 | 5/3/1929 | L'arlésienne : Excerpts | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-47982 | 5/3/1929 | L'arlésienne : Excerpts | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-47983 | 5/3/1929 | L'arlésienne : Excerpts | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-47984 | 5/3/1929 | L'arlésienne : Excerpts | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-47985 | 5/4/1929 | L'arlésienne : Excerpts | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| CVE-47986 | 5/4/1929 | L'arlésienne : Excerpts | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| BVE-49799 | 3/28/1929 | Choeur des cigarieres | Metropolitan Opera Chorus ; Giulio Setti |
Mixed vocal chorus, with orchestra |
|
| CVE-49817 | 1/31/1929 | Il fior che avevi à me | Giovanni Zenatello |
Tenor vocal solo, with orchestra |
|
| CVE-51117 | 4/3/1929 | Chanson du toreador | Lawrence Tibbett |
Baritone vocal solo, with mixed vocal chorus and orchestra |
|
| BVE-57526 | 11/5/1929 | En vain pour eviter | Mary Garden |
Soprano vocal solo, with orchestra |
|
| CVE-58044 | 11/18/1929 | Pearl fishers : Selection | Creatore's Band |
Band, with trombone and baritone horn solos |
|
| CVE-58051 | 11/20/1929 | Pearl fishers : Selection | Creatore's Band ; Pauline Talma |
Band, with soprano vocal solo |
|
| CVE-58052 | 11/20/1929 | Pearl fishers : Selection | Creatore's Band |
Band |
|
| CVE-58054 | 11/20/1929 | Pearl fishers : Selection | Creatore's Band |
Band |
|
| CVE-58119 | 12/18/1929 | Mi par d'udir ancor | Beniamino Gigli |
Tenor vocal solo, with orchestra |
|
| CVE-58626 | 1/29/1930 | Air de la fleur | Giacomo Lauri-Volpi |
Tenor vocal solo, with orchestra |
|
| CVE-59805 | 3/12/1930 | No, mai Carmen non cedera! | Maria Gay ; Giovanni Zenatello |
Female-male vocal duet, with mixed vocal chorus and orchestra |
|
| CVE-59806 | 3/12/1930 | Sei tu? | Maria Gay ; Giovanni Zenatello |
Female-male vocal duet, with orchestra |
|
| BVE-62603 | 5/8/1930 | Agnus Dei | Berta Levina |
Female vocal solo, with piano |
|
| CS-74804 | 12/3/1932 | Je crois entendre encore | Enrico Caruso |
Tenor vocal solo, with orchestra |
|
| S-335 | 7/22/1907 | Canción del torero | José Torres Ovando |
Male vocal solo, with orchestra |
|
| [Trial 1919-02-11-01] | 2/11/1919 | Toreador song | E. Concialdi |
Male vocal solo, with piano |
|
| B-[Unnumbered 1923-03-06-06] | 3/6/1923 | Carmen suite no. 1 : Entr'acte | Philadelphia Orchestra |
Orchestra |
|
| [Trial 1914-02-07-01] | 2/7/1914 | 'Tis summer in thine eyes | Blanche Hamilton Fox |
Female vocal solo, with piano |
|
| C-[Unnumbered 1923-03-06-07] | 3/6/1923 | Carmen suite no. 2 : Dance boheme | Philadelphia Orchestra |
Orchestra |
|
| [Trial 1913-05-23-07] | 5/23/1913 | Agnus Dei | Agusta Kohnle |
Female vocal solo, with piano |
|
| [Trial 1917-02-06-01] | 2/6/1917 | The pearl fishers : Aria | Enrico Alesandro |
Male vocal solo, with piano |
|
| C-[Unnumbered 1923-03-19-06] | 3/19/1923 | Smugglers | Philadelphia Orchestra ; Leopold Stokowski |
Orchestra |
|
| [Trial 1916-11-15-01] | 11/15/1916 | Der var engang : Serenade | Mischa Léon |
Male vocal solo, with piano |
|
| [Trial 1912-04-19-01] | 4/19/1912 | Quand la flamme de l'amour | Clarence Whitehill |
Baritone vocal solo, with orchestra |
|
| BVE-Test-915 | 9/17/1929 | Maybe | Ruth Montague |
Female vocal solo, with piano |
|
| 582c | 1905 | Siccome un di | Giuseppina Piccoletti |
Soprano vocal solo |
|
| 850c | 11/1906 | Del tempio al limitar | Giuseppe Acerbi ; Renzo Minolfi |
Vocal duet (tenor and baritone), with orchestra |
|
| 915c | 1906 | Terzetto finale | Giuseppe Acerbi ; Linda Brambilla ; Francesco Cigada |
Vocal trio (mezzo-soprano, tenor, and baritone), with orchestra |
|
| 1045c | 4/1907 | Preludio | Teatro alla Scala Orchestra |
Orchestra |
|
| 1292F[o] | 12/1902 | Quand la flamme de l'amour | Jean-François Delmas |
Bass vocal solo, with piano |
|
| G2058b | 7/1902 | Habanera | Emma Calvé |
Soprano vocal solo, with piano |
|
| 2062b | 7/1902 | Seguidilla | Emma Calvé |
Soprano vocal solo, with piano |
|
| 2354L | 1904 | Scena delle carte | Bianca Lavin de Casas |
Mezzo-soprano vocal solo, with piano |
|
| 02379½v | 5/6/1912 | Je t'aime encore | Suzanne Brohly ; Léon Campagnola |
Vocal duet (mezzo-soprano and tenor), with orchestra |
|
| 02390v | 5/6/1912 | C'est toi | Suzanne Brohly ; Léon Campagnola |
Vocal duet (mezzo-soprano and tenor), with orchestra |
|
| 2736f | 11/25/1908 | Cancion del toreador | Titta Ruffo |
Baritone vocal solo, with orchestra and chorus |
|
| 4230L | 1/1906 | Kvét onen z ruky tvé mi dàn | Otakár Mařák |
Tenor vocal solo, with orchestra |
|
| 5828h | 1908 | Celle que vous aimez est ici | Léon Beyle ; Hector Dufranne |
Vocal duet (tenor and baritone), with orchestra |
|
| 8000b | 5/1906 | Overture | Teatro alla Scala Orchestra |
Orchestra |
|
| 8007b | 5/1906 | Temer non so per me | Emilia Corsi |
Female vocal solo, with orchestra |
|
| 8121b | 5/1906 | Intermezzo, Atto 3 | Teatro alla Scala Orchestra |
Orchestra |
|
| 10383b | 4/1907 | Preludio, Atto iv | Teatro alla Scala Orchestra |
Orchestra |
|
| 10385b | 4/1907 | Preludio | Teatro alla Scala Orchestra |
Orchestra |
|
| 10516b | 5/1907 | Toreador | Francesco Cigada ; Josephina Huguet ; Ines Salvador |
Vocal trio (soprano, mezzo-soprano, and baritone), with chorus and orchestra |
|
| 10518b | 5/1907 | Se tu m’ami | Francesco Cigada ; Ines Salvador |
Vocal duet (mezzo-soprano and baritone), with orchestra |
|
| 2EA-4093 | 10/23/1936 | Il fior che avevi a me tu dato | Enrico Caruso |
Tenor vocal solo, with orchestra |
