Victor Artists
Charles Dalmorès (tenor vocal)
On this Date...
May 20th, 1928
Eyes of Texas (Matrix BVE-42333, take 2) was recorded by University of Texas Longhorn Band in San Antonio, Texas
Records made on...
Wednesday, March 26, 1924
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Matrixes marked with 
indicate takes are available for online listening.
Matrix Number |
First Recording Date |
Primary Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| B-14372 | 1/26/1914 | All through the night | Julia Culp |
Contralto vocal solo, with orchestra |
|
| B-14421 | 2/6/1914 | Ave Maria | Julia Culp |
Contralto vocal solo, with orchestra |
|
| C-15809 | 3/17/1915 | Serenade | Julia Culp |
Contralto vocal solo, with orchestra (variant: with violin and flute) |
|
| B-29694 | 3/26/1924 | Down home blues | Pennsylvanians ; Fred Waring |
Jazz/dance band |
|
| B-29695 | 3/26/1924 | Memory Lane | Pennsylvanians ; Fred Waring ; Tom Waring |
Jazz/dance band, with piano and male vocal solo |
|
| B-29696 | 3/26/1924 | Come again, sweet love | Julia Culp |
Contralto vocal solo, with piano |
|
| B-29697 | 3/26/1924 | My lovely Celia | Julia Culp |
Contralto vocal solo, with piano |
|
| B-29698 | 3/26/1924 | Auf Flügeln des Gesanges | Julia Culp |
Contralto vocal solo, with piano |
|
| B-29699 | 3/26/1924 | Es muss ein Wunderbares sein | Julia Culp |
Contralto vocal solo, with piano |
|
| B-29735 | 3/26/1924 | O Isabella (Waltz) | International Novelty Quartet |
Instrumental ensemble |
|
| B-29736 | 3/26/1924 | 'S Schützenliesl (Rheinländer) | International Novelty Quartet |
Instrumental ensemble |
|
| B-29737 | 3/26/1924 | Slovenský ćardáš, číslo 7 | Sió Aladár és Zenekara |
Orchestra |
|
| B-29738 | 3/26/1924 | Slovenský ćardáš, číslo 8 | Sió Aladár és Zenekara |
Orchestra |
|
| B-29739 | 3/26/1924 | Slovenský ćardáš, číslo IX | Sió Aladár és Zenekara |
Orchestra |
|
| B-29740 | 3/26/1924 | Slovenský ćardáš, číslo X | Sió Aladár és Zenekara |
Orchestra |
|
| X-2 | 3/26/1924 | El canto del guajiro | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| L-3 | 3/26/1924 | Mulata, mulata, tu ... me mata | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-4 | 3/26/1924 | Huyéndole a un ratón | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-6 | 3/26/1924 | La tierra de la rumba | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| L-9 | 3/26/1924 | Hay que ver | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| L-10 | 3/26/1924 | Papá Montero | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| L-11 | 3/26/1924 | Playas cubanas | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-12 | 3/26/1924 | La niña de la melena | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-13 | 3/26/1924 | Cara sucia | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-14 | 3/26/1924 | Roqueñí salió del sótano | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| L-15 | 3/26/1924 | Yo te amé | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-16 | 3/26/1924 | La prensa | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-17 | 3/26/1924 | América | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| X-18 | 3/26/1924 | A pie | Orquesta Antonio M. Romeu |
Instrumental ensemble |
|
| [Trial 1924-03-26-04] | 3/26/1924 | By the waters of Minnetonka | Edna Wooley-Lieurance |
Female vocal solo, with piano and flute |
|
| [Trial 1924-03-26-01] | 3/26/1924 | Where dawn and sunset meet | Edna Wooley-Lieurance |
Female vocal solo, with piano and flute |
|
| [Trial 1924-03-26-02] | 3/26/1924 | Where drowsy waters steal | Edna Wooley-Lieurance |
Female vocal solo, with piano and flute |
|
| [Trial 1924-03-26-03] | 3/26/1924 | The bird and the babe | Edna Wooley-Lieurance |
Female vocal solo, with piano and flute |
|
| [Trial 1924-03-26-05] | 3/26/1924 | By the waters of Minnetonka | Thurlow Lieurance |
Piano solo |
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