Records made on...
Thursday, September 30, 1915
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Matrixes marked with
indicate takes are available for online listening.
Matrix Number |
First Recording Date |
Primary Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| C-15636 | 1/28/1915 | Lesson no. 4, soprano : Sustained tones | Oscar Saenger |
Singing instruction, with piano |
|
| C-15673 | 2/5/1915 | Lesson no. 3, soprano : Tone production | Oscar Saenger |
Singing instruction, with piano |
|
| C-15681 | 2/5/1915 | Lesson no. 5, soprano : Uniting of two tones | Oscar Saenger |
Singing instruction, with piano |
|
| C-15684 | 2/8/1915 | Lesson no. 6, soprano : Uniting of three tones | Oscar Saenger |
Singing instruction, with piano |
|
| C-15750 | 3/1/1915 | Lesson no. 8, soprano : The scale | Oscar Saenger |
Singing instruction, with piano |
|
| C-15843 | 3/29/1915 | Lesson no. 11, soprano : The arpeggio | Oscar Saenger |
Singing instruction, with piano |
|
| C-15957 | 4/26/1915 | Lesson no. 16, soprano : Sustained tones with changing vowels | Oscar Saenger |
Singing instruction, with piano |
|
| C-16009 | 5/11/1915 | Lesson no. 18, soprano : The harmonic minor scale | Oscar Saenger |
Singing instruction, with piano |
|
| C-16267 | 7/27/1915 | Lesson no. 7, baritone : Uniting of five tones | Oscar Saenger |
Singing instruction, with piano |
|
| C-16293 | 7/30/1915 | Lesson no. 20, baritone : Vocalise | Oscar Saenger |
Singing instruction, with piano |
|
| C-16356 | 8/16/1915 | Lesson no. 9, baritone : The scale of the ninth | Oscar Saenger |
Singing instruction, with piano |
|
| C-16360 | 8/19/1915 | Lesson no. 3, baritone : Tone production | Oscar Saenger |
Singing instruction, with piano |
|
| C-16418 | 8/30/1915 | Lesson no. 4, bass : Sustained tones | Oscar Saenger |
Singing instruction, with piano |
|
| C-16430 | 8/31/1915 | Lesson no. 11, bass : The arpeggio | Oscar Saenger |
Singing instruction, with piano |
|
| C-16431 | 8/31/1915 | Lesson no. 12, bass : The arpeggio carried to the third above the octave | Oscar Saenger |
Singing instruction, with piano |
|
| C-16432 | 8/31/1915 | Lesson no. 13, bass : The arpeggio carried to the fifth above the octave | Oscar Saenger |
Singing instruction, with piano |
|
| C-16437 | 9/1/1915 | Lesson no. 3, bass : Tone production | Oscar Saenger |
Singing instruction, with piano |
|
| C-16445 | 9/1/1915 | Lesson no. 18, bass : Harmonic minor scale | Oscar Saenger |
Singing instruction, with piano |
|
| C-16448 | 9/1/1915 | Lesson no. 19, bass : Vocalise | Oscar Saenger |
Singing instruction, with piano |
|
| B-16505 | 9/16/1915 | Canzonetta | George J. Gould |
Violin solo, with piano |
|
| B-16506 | 9/16/1915 | Canto amoroso | George J. Gould |
Violin solo, with piano |
|
| B-16577 | 9/30/1915 | For better or for worse | Elsie Baker ; Olive Kline |
Female vocal duet, with orchestra |
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| B-16578 | 9/30/1915 | Love is the best of all | Olive Kline |
Female vocal solo, with orchestra |
|
| C-16579 | 9/30/1915 | Diction record, no. 1 | Reinald Werrenrath |
Elocution instruction |
|
| C-16580 | 9/30/1915 | Diction record, no. 2 and 4 | Reinald Werrenrath |
Elocution instruction |
|
| C-16581 | 9/30/1915 | The hymn of Charlemagne | Reinald Werrenrath |
Male vocal solo, unaccompanied |
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| [Trial 1915-09-30-01] | 9/30/1915 | Things are getting better every day | Mr. O'Connell |
Male vocal solo, with piano |
|
| [Trial 1915-09-30-02] | 9/30/1915 | The cuckoo birds | Frieda Peycke |
Female vocal solo |
|
| [Trial 1915-09-30-03] | 9/30/1915 | [Unknown title(s)] | Constance Wardle |
Female vocal solo |
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