Victor Artists
Franz Schubert (composer)
On this Date...
June 18th, 1908
Intermezzo (Matrix B-4050, take 1) was recorded by Victor Concert Orchestra ; Victor Orchestra in Camden, New Jersey [unconfirmed]
Records made on...
Wednesday, March 2, 1910
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Matrixes marked with 
indicate takes are available for online listening.
Matrix Number |
First Recording Date |
Primary Title |
Primary Performer |
Description |
|
|---|---|---|---|---|---|
| B-8673 | 3/2/1910 | Serenade | Victor E. Sorlin |
Cello solo, with piano |
|
| B-8674 | 3/2/1910 | Song of the soul | Victor E. Sorlin |
Cello solo, with piano |
|
| C-8675 | 3/2/1910 | Simple confession | Victor E. Sorlin |
Cello solo, with piano |
|
| C-8676 | 3/2/1910 | Funeral march of a marionette | Vienna Quartet |
Instrumental quartet |
|
| B-8677 | 3/2/1910 | Glow-worm | Vienna Quartet |
Instrumental quartet |
|
| B-8678 | 3/2/1910 | Melody in F | Vienna Quartet |
Instrumental quartet |
|
| B-8687 | 3/2/1910 | Cupid's I.O.U. | Ada Jones ; Billy Murray |
Female-male vocal duet, with orchestra |
|
| R-458 | 3/2/1910 | Saludo paisano | Eugenio López ; Carlos M. Pacheco |
Male vocal duet, with guitar |
|
| R-459 | 3/2/1910 | El triste de Quiroga | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-460 | 3/2/1910 | Un soneto de Dario | Carlos M. Pacheco |
Tenor vocal solo, with guitar |
|
| R-461 | 3/2/1910 | Una milonga cocolichesca | Eugenio López ; Carlos M. Pacheco |
Male vocal duet, with guitar |
|
| R-462 | 3/2/1910 | Por fin la noche | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-463 | 3/2/1910 | Entrada al Teatro Colón | Eugenio López ; Carlos M. Pacheco |
Male vocal duet, with guitar |
|
| R-464 | 3/2/1910 | Cifra de Berón | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-465 | 3/2/1910 | Tango ma-qui-fú | Eugenio López ; Carlos M. Pacheco |
Male vocal duet, with guitar |
|
| R-466 | 3/2/1910 | Estilo de Lazaro | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-467 | 3/2/1910 | Terceto de los disfrazados | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-468 | 3/2/1910 | Conferencia Ruso-Franco-Calabresa | Eugenio López ; Carlos M. Pacheco |
Comic dialogue |
|
| R-469 | 3/2/1910 | Treinta años | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-470 | 3/2/1910 | Contrapunto cosmopolita | Eugenio López ; Carlos M. Pacheco |
Male vocal duet, with guitar |
|
| R-471 | 3/2/1910 | Monólogo de Pelagatti de los disfrazados | Eugenio López ; Carlos M. Pacheco |
Comic dialogue |
|
| R-472 | 3/2/1910 | La corona del bosque | Carlos M. Pacheco |
Male vocal solo, with guitar |
|
| R-473 | 3/2/1910 | China querida | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-474 | 3/2/1910 | La sanjuanina | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-475 | 3/2/1910 | Puras macanas | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-476 | 3/2/1910 | Panete conscripto | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-477 | 3/2/1910 | Contestá pues | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-478 | 3/2/1910 | Anastasio el pollo | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-479 | 3/2/1910 | El descubrimiento de America | E. Gill Quesada |
Monologue, with guitar |
|
| R-480 | 3/2/1910 | Las romerias | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-481 | 3/2/1910 | La cordovesa | E. Gil Quesada |
Male vocal solo, with guitar |
|
| R-482 | 3/2/1910 | Pagos lejanos | E. Gil Quesada |
Male vocal solo, with guitar |
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